Tag Archive | National Gallery

Endless Errands and a Memorable Farewell Party

Jul30

Tuesday, July 21, 2009
London

The morning passed by in a flash as we finished up all the last-minute errands I needed to run. We began at my former apartment building at High Holborn where I made a trip especially to bid goodbye to Arben my concierge and Martha my janitor for whom I also took along small Thank-you gifts. After taking a few pictures with them, we were off, promising to return to see them whenever our paths next crossed in London.

We then walked to NYU in Bloomsbury where I had loads of material to print out and goodbyes to say to all the administrative staff at our Bedford Square campus who were so helpful to me throughout the past year. I was disappointed that a dental appointment he had that morning made it impossible for me to meet David Ruben who as Director of our London Program had steered us towards tremendous success as a faculty and was especially warm and welcoming towards Karen and myself during our year in London. With many last-minute pictures taken and hugs and kisses exchanged, Llew and I hurried out to complete our errands.

It had been my intention to buy an umbrella before leaving London from James Smith Umbrella and Stick Shop (that’s walking sticks, by the way) on New Oxford Street—a shop that dates from the mid 1800s and is probably the oldest in the area. It was packed to capacity with tourists who probably all had the same idea. However, on perusing the wares, I received sticker shock and decided that I would keep this purchase for a next visit to London.

Llew’s First Visit to Sir John Soanes’ Museum:
Our next stop was Sainsbury at High Holborn, but before we went through the items on our list, I suggested that we stop off at the Sir John Soanes Museum as I really did want Llew to have a look at this place. There was a short line at the entrance and since the usher informed me that wait time was half an hour, I left Llew in the queue and hurried off to the opposite side of Lincoln’s Inn Field to take a picture of The Old Curiosity Shop as the last time I had passed it on one of my walks, I did not have my camera with me. This store is, of course, famous from Charles Dickens’ novel of the same title, but rumor has it that this store did not exist as a store in Dickens’ time (though the building did). Be that as it may, it made for a picturesque stop and having accomplished that goal, I returned to meet Llew in the line.

The interior of the museum is stuffed with the many architectural fragments, paintings, prints, drawings and objects d’art that were acquired by the eccentric Sir John Soanes (architect, among other buildings of the Bank of England and the Dulwich Picture Gallery). The house has been left exactly as it might have been in his day and is remarkable for the entire series of works that makes up William Hogarth’s ‘The Rake’s Progress’ as well as the intriguing and very unique Picture Closet he designed which opened in alternating leaves to enable him to showcase his collection of architectural drawings by his collaborator Ghandy.

Needless to say, Llew was quite taken by the depth and variety of the pieces collected—these comprise finds from such Classical civilizations as Greece, Rome and Turkey as well as ones from closer to home such as the remains of the many demolitions that took place in Victorian times of London’s older buildings. It is easy to see how much of a passion architecture was to this unusual human being who has left us such a stirring legacy of his day and age—and of those that went before him.

Off to Sainsburys for the Last Time:
As I went through our pantry list at Sainsburys at High Holborn, my mind went back to my first week in London when I had been there with my strolley and bought at least fifty pounds worth of bottles and jars containing every sort of condiment that I would require for my tiny kitchen. One year later, I was returning there with Llew to pick up party supplies for the evening by way of paper goods and wine as I had already placed an order for the party to be catered by a Pakistani woman named Farah.

Luckily, Sainsbury agreed to take back the bottles of wine that we would not consume—this left us free to buy extra rather than run out during the party. With this big purchase behind us, we walked home to Farringdon, ate a hasty lunch, took a short nap and decided to get cracking on the set up for our party. Our guests were expected by 7. 30 and while there wasn’t a whole lot to do, there was still our packing to be done and a load of other errands to be accomplished. My mind was also rather preoccupied by the lecture I would be giving at Oxford the next day and as last-minute thoughts went through my mind, I tried to stay focused on the upcoming evening.

A Farewell Party for Fond Friends:
Last year at this time, when I was leaving the States, Llew and Chriselle had thrown a Farewell Party for me—and exactly one year later, Llew and I were throwing a Farewell party for our newest London friends. Paul and Loulou had arrived during the afternoon and rushed off to the National Theater to have dinner and see Phedre with friends. They were expected back at the flat by 10. 30 pm which gave us a lot of time to get the party moving.

Unfortunately, as often happens despite the best-laid plans, a few of my friends called to bow out of their commitment to attend as one family had symptoms of the swine flu that is threatening to turn into a pandemic in the UK while other folks called for other reasons. Stephanie had injured her knee in a cycling accident in Richmond and Rahul was tied up at work. Milan called to say he would arrive late—this allowed us to actually have a sit down dinner at Paul and Loulou’s massive dining table which seats twelve people. With our Indian meal delivered at 7. 45 pm and our guests still trickling in, the evening started to get clamorous. Our friends Matt and Rosa were the first to arrive from far away Bishops Stortford and were followed rapidly by a host of other people from closer home. Rosemary brought her art connoisseur son Alexander along. He became fascinated by the marvelous collection of contemporary British art in the flat and walked pensively around the framed works that line the walls of this massive loft. It was fun to see how astounded people were as they entered this cavernous space and every single one of them asked me how on earth I had managed to find this incredible dwelling. Doubtless they could not wait to meet owners Paul and Loulou who would be joining us later in the evening.

Well, the party went along swimmingly. I was so pleased that Llew had the chance to meet so many of the new friends I made in London including Bash who came minus the date he said he would be bringing along. Milan did arrive just as we sat down to eat dinner which involved pulling along an extra chair to the table. Conversation flowed easily as my guests got to know one another over wine and pakoras, chicken biryani and the raita that I had rustled up in the afternoon after our return from grocery shopping. For dessert, Tim, who was once a West End chef, had brought along his amazing Brown Bread Ice-cream that he decorated expertly with fresh strawberries that he then served as an accompaniment. The overall impression was stunning and I have to say that my guests were quite floored by Tim’s expertise.

True to their word, Paul and Loulou arrived at half past ten and then spent the next hour mingling with my guests and getting to know them. They were able to enlighten Alex who wanted to know more bout their favorite artists and in turn recommended a few of his favorite galleries for their browsing pleasure. Indeed it was a lovely end to a superb evening and Loulou even stayed on to help us clear up and put things away long after the last of our guests left at midnight.

A Tearful Goodbye:
Since she was leaving for Suffolk the next morning, I said a very tearful goodbye to her and Paul. They have proven to be the most wonderful friends a single gal could have desired in London and I do believe that they came into my life as the answer to my prayers. I spent the most memorable weeks in their London loft as well as enjoyed their country lifestyle in Iken, Suffolk, where they enjoy the rural riches of England. They were great company to me on the occasional times that they did pop into their London pad and we had great dinners and breakfasts together when we discussed our mutual love for gardens and art, theater and books, London, India (where they honeymooned for six whole months!) and the United States. I know I will always carry happy memories in my heart of my days with them. It has hard for me to believe that I met them for the first time only six months ago—so close have we grown!

It was almost 1. 30 pm when Llew and I switched off the last of the lights and set our alarm for our early departure for Oxford—after leaving loads of biryani for Loulou and Paul in their freezer! Indeed, we had the 6. 30 am coach to catch from Victoria and with my lecture reposing for the night in my pocket book, I hoped very much that all would go well for me when a new day dawned.

Windsor Castle and Helen Mirren as Phedre at the National

Jul30

Monday, July 21, 2009
Windsor and London

With Llew on vacation, we are taking it easy in the mornings—waking late, breakfasting at leisure, showering and dressing as if we have the entire day ahead of us—which we do! However, I did want to make a day of it in Windsor; so without wasting too much time, we took the Tube to Paddington to catch one of the commuter trains to Slough for a change to Windsor.

The weather gods smiled upon us, bestowing sunny skies and a very comfortable temperature as we walked from the station to the ramparts of the Castle. How different the place seemed with teeming tourists everywhere. When we were last here together in November of last year (or was it March of this year?—it is so difficult to keep track!), the place was less crowded. Yet, today, with the sun warming the backs of so many enthusiastic sunbathers, the crowds grew with each minute. Having reached Windsor at noon, however, we missed most of the morning commuters from London who arrived early to make a day of it at Windsor and Eton.

Queen Mary’s Doll’s House:
For us, the biggest attraction today was a chance to see Queen Mary’s Doll’s House which, the last time we came here, had attracted a long queue that deterred us. This time, our wait was no longer than ten minutes. While one might think that this is nothing more than a plaything of some privileged royal family member, it is, in fact, a completely charming showpiece. Designed by the great Edwardian architect Sir Edwin Lutyens (designer, among other projects, of the city of New Delhi in the second decade of the 20th century), it is a massive wooden house completely furnished with the fittings of a royal residence of the Edwardian era. Every item inside is not only of the finest material but superbly constructed to scale. Hence, there are real bottles of wine in the cellar (no bigger than your pinky finger) and real sterling silverware and plates on the dining table. Of course, some things are not quite real—the maid’s bedroom, for instance, is just at the side of the owner’s—something that was unheard of, given the Upstairs Downstairs arrangements of Edwardian mansions that strictly segregated living quarters along class lines. Still, it was charming to notice the attention to detail and the manner in which it seems the entire country cooperated to create this royal showpiece.

Equally noteworthy were the two French dolls presented to Princesses Elizabeth and Margaret while they were little girls by the French government on the occasion of their state visit to France with their parents in the early decades of the last century. The French not only presented the princesses with these dolls but used them to showcase the couture talents of their most predominant designers such as Chanel and Worth. Whole sets of beautiful clothing to be worn on different occasions were designed, executed and packed in a traveling trunk—one for each French doll. It would appear as if the princesses did not play with them at all for they and their wardrobes are in pristine condition and made for a truly delightful addition to this part of the Castle.

The Queen’s Private Collection of Drawings and the Special Exhibit on Henry VIII: Moments after we finished touring the Doll’s House and its precincts, we found ourselves in another exhibition area with an opportunity to peruse the Queen’s collection of drawings, most of which are rarely on exhibition as she has such a vast stash that they are rotated regularly. Llew and I were fortunate enough to see a few of the drawings by Leonardo da Vinci that are in her private collection—we saw some of his anatomical drawings, some drafts for his far-sighted flying machines and some of the drawings that formed studies for his most famous paintings such as the Virgin of the Rocks (versions of which we saw both at the National Gallery in London and at the Louvre in Paris).

But, by far, the most interesting part of this exhibit was the one on Henry VIII that coincides with the five hundredth anniversary of his birth. There are special exhibits on Henry VIII this year all over London and I have seen the one on him at the Tower of London which focused on his wardrobe (being cleverly entitled “Dressed to Kill”—that’s what’s so admirable about the English…their wacky sense of humor!). This one focused on Henry as a Man of Letters and I was delighted to see several original drawings and paintings by Hans Holbein the Younger (Henry’s court painter) as well as several first editions of some of the most famous books of the era. Llew was particularly fascinated by first editions of Sir Thomas More’s Utopia, Martin Luther’s Treatise challenging the power of the Vatican and Henry’s spirited refutation of Luther’s arguments (which, ironically enough, earned him the title of Defender of the Faith from the Pope—this, of course, was before his bitter battle with the Vatican began and his divorce with Popery became final). So many of the exhibits I have seen all over the country this year have focused on the Tudor period and despite my in-depth knowledge of this dynasty, I simply never tire of learning more.

Having seen the rest of Windsor Castle earlier, including the State Apartments and St. George’s Chapel, we decided to make our way home but not before we stopped at Waitrose to buy some of the Wensleydale cheese with ginger that both Llew and I really like. Back on the train, we arrived at Paddington and took the Tube back home to arrive just in time to get our boxes of books ready for the shippers. Our friend Janie was kind enough to offer to take them in her car for me to the North Acton depot of Headley’s Humper where I had dropped off my antique bureau-desk a few days ago. Since I will be occupying a portion of a container, it made sense to fill the crate being made for me with my large collection of books and bed linen that have to be shipped back to the US.

Meeting Janie at the National Theater:
Janie had made plans to meet us at the National Theater on the South Bank of the Thames just before our show began in the evening. Having packed our boxes, we took them across in a cab and arrived at the National well in time for our 7.30 pm appointment with Janie. She did arrive soon enough which allowed us to transfer the boxes to her car as well as take a few last pictures with her. She has been a such a great friend to me in London, ferrying me around to places of interest (Syon House, Dulwich Picture Gallery and Village and Rochester in Kent), introducing me to so many fascinating aspects of English architecture (Georgian is her own favorite) and telling me about so many London attractions that she thought I ought not to miss. As she drove off, I felt a pang of sadness…though I know I will see her again (if not in London then in Southport, Connecticut, where her brother Jonathan is a good friend of ours).

The Hottest Summer Theater Tickets—and they were Ours!
As Janie drove off, Llew and I made our way towards the National Theater and looked to find our seats. I became excited (even though I have so much on my mind right now with my return to the States and the vast number of things I have to do in the hope that everything will fall into place). The auditorium was filling quickly as Helen Mirren’s presence in the cast (playing Phedre in Racine’s famous play of the same name) ensured an exciting evening at the theater. I had actually forgotten that another star name was in the cast—Dominic Cooper who played the male romantic lead in the smash hit film version of Mamma Mia last year. It was only when I saw him on stage and found him familiar in the role of Hippolytus that I remembered that he too was in the cast—a very fortunate bonus, I thought.

As it turned out, I found Mirren’s portrayal deeply melodramatic and while I do realize that I was watching classic Greek tragedy which is expected to be played in this fashion, the performance got rather monotonous being so devoid of a range. Oenene, her aged counselor, played by Margaret Tyzack was equally one-dimensional if very good and I guess, given the pathos of the situation and the excess of emotion portrayed by the principal characters, Cooper’s decision to underpay his role stood out in contrast against the rest—but too stark a contrast, methought! The play’s intriguing plot kept us spellbound, however, and as we watched Phedre’s machinations on stage in her attempt to retain Theseus’ favor (despite having professed love for his son Hippolytus), I realized that despite its somewhat predictable characters and outcomes, it was a rare treat to see Greek tragedy so masterfully portrayed on a world-class stage by world-class actors. And, of course, there is the brag value attached to having seen Mirren in the flesh—so we felt profoundly privileged that we managed to get the hottest summer stage tickets in the city and made such a fine night of it at the theater.

A Moonlight Walk along the Thames and Drinks at the OXO Bar:
It was the perfect night to walk aimlessly along the banks of the Thames whose colorfully illuminated buildings threw their changing neon reflections into the swirling waters. What better an idea than to hot hoof it to the rooftop bar at the OXO building where Llew and I enjoyed a cold (okay make that cool) beer while watching the buildings on the opposite bank glint in the ink blue night? It was a truly romantic evening for the two of us as we snacked on spiced bar nuts, sipped our drinks and thrilled to the knowledge that we had all of London seemingly spread out at our feet.

An hour later, drinks consumed and with a heady buzz that added to our enjoyment of Londres: La Nuit, we walked on the Embankment to Blackfriars Bridge from where we hopped into a 63 bus that took us home to Farringdon, a hot dinner made up of remains in my fridge and then called it a night.

Sauntering in Salisbury! Seeing the Magna Carta and Constable’s Iconic View.

Jul17

Friday, July 17, 2009
Salisbury, Wiltshire

The ancient town of Salisbury is in Wiltshire, west of London, an area filled with renowned tourist attractions such as Stonehenge, Stourhead Gardens, the Georgian city of Bath and Avebury. But somehow, I had simply not managed to get there even though its cathedral is definitely worth a visit.

Awaking on Stephanie’s sofa bed in her living room at 7.00, I quickly got ready to leave with her at 7. 30. We grabbed yogurt and cereal to go and were in her Lexus and on our way in a half hour. It was an hour long drive which gave us a chance to gab a bit more. It pleased me to see that though she has a long commute to work daily, at least she has no traffic at all–in fact, the drive can be quite therapeutic past fields and pasture.

Since Stephanie works in an industrial belt at Andover, she dropped me off at Andover train station which is just 18 miles away from Salisbury. I could have taken a bus from the station which would have wound me around the tiniest villages in Wiltshire and reached Salisbury in an hour and a half–or I could take the train which took less than 20 minutes (return fare was 7 pounds but there was some malfunction with the ticket machine and I ended up going on the train without a ticket but having to explain to the guards that there had been a problem).

Roaming Around Salisbury:
Luckily, Salisbury station is not miles away from its city center–which is often the case, as I have discovered. It was only a quick ten minute walk to the Town Center which you reach after following signs. It was about 9. 30 am when I arrived which left me enough time to explore the tangle of streets that lead up to the famous Market Square where medieval life centered. En route, I popped into the Roman Catholic Church of St. Thomas Beckett which also dates from medieval times. It is filled with marvelous mementos of centuries past including a beautiful Doomsday Painting on a wall just above the nave. This was plastered over during the Reformation but was recently stripped and conserved. I realized as I gazed at it how similar is the style of medieval painting with the more contemporary work of the Surrealists such as Hieronymous Bosch as seen in his most famous work The Garden of Earthly Delights. The Tudor Chapel with its dark ebony wood carvings was also quite atmospheric and is supposedly the prettiest part of the church. I deliberately visited this church first as I felt that the famous Salisbury Cathedral ought to be the piece de resistance of my day and would best be saved for last.

I have to say that I quite cherished every single step I took for I was fully conscious of the fact that this is my last day alone in the UK and indeed the last place that I would be discovering on my own. Tomorrow morning, I will awake for the last time alone in my bed for Llew is scheduled to arrive at 8. 30 am and my year of solitude, self-exploration and self-discovery will come to an end. The enormous pleasure I have had in doing exactly as I pleased wherever I pleased will also end and I felt a bittersweet emotion as I sauntered through the streets of Salisbury–delighted to have actually arrived there and met my goal of not leaving the UK without seeing this lovely city but regretting that Llew had not already arrived here to share it with me. Still, I took consolation in the fact that we will be spending the next two weeks together in two of my favorite places in the whole world–London and Paris–and it was on that happy note that I crossed The Mill on the River Avon where a lovely pub seemed like a good place to enjoy lunch later in the day.

Then, I was in the streets that radiate from out of the Cathedral Close, each rather enticing as they offered shops galore in which to browse. I examined all the charity shops (still looking for antique treasures) and was so pleased to find a Victorian cheese container–the sort for which I have searched for a whole year. These ceramic containers are very rare and hard to find–being a two piece item, one or the other piece often broke over the years, so that sets are almost impossible to find and when available cost the earth. I have seen only a few of these items in the many antiques markets I have scoured and most often they were so exorbitantly priced that I had to walk away. Well, imagine my delight when I found this set in perfect condition and for just three pounds! Now you know why I rummage around in the charity shops! They are a better source than any flea market! With my treasure carefully wrapped in bubble wrap, I walked out and then there just across the road, I chanced to come upon the Salisbury Antiques Market–three floors of individual dealers each displaying their treasures in glass vitrines–my idea of heaven!

Lunch at the Tea Room at the Top:
By this time, the irritating drizzle which had been playing all day developed into a full-scale shower, so it was with relief that I escaped into the vast environs of the market and browsed around the show cases. Needless to say, by this time (12. 30), I was tired and hungry; so when I saw a sign that announced a tearoom at the top of the building, I headed straight for it. I spent the next hour in the most delightful situation near a window through which I felt the slight spray of raindrops that splattered the pane. What’s more, the charming room was scattered around with a multitude of mismatched chairs and tables–some garden furniture, some living room quality finds. The menu was small but everything was very reasonably priced. I debated whether to get a pot of tea and a toasted hot cross bun (just 1. 50 for the lot) but then I figured that I really ought to have a more substantial lunch and settled for that most old-fashioned of British meals (and it was the very first time I was eating it in this country)–sardines on toast with a pot of Darjeeling. Thank you England for making a tea drinker out of me. On weepy days like this when there is a horrid sudden chill in the air and you wish you had worn a thicker cardigan, there is nothing more soothing that a pot of tea with lemon and honey!

A very lovely young girl called Jessica (I asked her her name later) served me–the pot of tea and a salad came free with my meal (all for just a skinny fiver–a true find in super expensive England). To my delight, a copy of The English Home lay near my table and I grabbed it to browse through while my meal was being prepared. I have a subscription to this magazine back home in the States and have dearly missed reading it, so I was thrilled to be able to lay my hands on a copy. There is a section in it called ‘Favorite Places’ and I definitely intend to write to the editor with a note about this incredible find–The Tea Room at the Top on St. Catherine Street in Salisbury.

Well, I spent the lovliest hour sipping my tea, munching my light lunch, spooning dressing on my salad and reading the magazine as I rested my feet and took a breather. The intermittent rain showers finally stopped and when I stepped out, an hour later, to walk towards the Cathedral Close, there was a lightness to my step.

But just five mintues later, it came down again–a very heavy shower this time which gave me time to dip under the awning of a very pretty chocolate shop where the handmade concoctions called my name. The place also offered a variety of sundaes and ordinarily I would have indugled–but on a day so chilly, ice-cream was furthest from my mind!

To arrive at Salisbury’s Cathedral Close, you pass under a medieval stone gateway and enter a place that has forgotten the passage of Time. It is a vast square with a sprawling green lawns in its center, surrounded by elegant buildings that reveal a variety of architectural styles–I recognized Tudor, Georgian and Victorian very easily indeed. In fact, the most striking of the buildings had a grand facade and it turned out to be Mompesson House (and Gardens) which is run by the National Trust. Now, of course, with my membership still valid, there was no way I would pass it by without nipping in for a quick visit–only it happened to be closed on Thursdays and Friday–wouldn’t you just know it!!?? So I gazed at the entrance in growing furstration having made the discovery that the 1995 version of Sense and Sensibility (I’m guessing this was the version whose screenplay was by Emma Thompson for which she won an Oscar–the film was directed by Ang Lee of Brokeback Mountain fame) was shot in here. Anyway, there was nothing to be done about it and I turned towards the other buildings instead.

Exploring Salisbury Cathedral:
Salisbury Cathedral has the tallest spire in England–though I have to say I could not have discerned this myself. Much of the side of this splendid building is encased in ugly scaffolding (I simply hate when the facades of major tourist attractions are marred in this fashion) and there was a Festival of sorts going on for a huge white marquee took over the lawn. It was just as well I had found other pursuits to occupy my morning for the cathedral had been closed to visitors until 1 pm. And it was a good thing I had a whole day in the town–imagine my disappointment if I had made the trip all the way from London only to be told that the Cathedral would remain closed all day!!!

Well, once inside the Cathedral, there are many attractions that catch the eye–but interestingly and unexpectedly, the choral groups that were participants in the festival were practicing their routines at the back and filled the massive space with the echoing grandeur of their voices–it was truly superb. A printed layout guide of the cathedral is available for visitors and with it in hand, I was able to see the mechancial clock–it has no face, still works beautifully and is considered the oldest clock in the country. I saw also the very modern baptismal font in the center of the church before I walked past the area right below the spire. In fact, the spire is so heavy that the supporting beams in the church have begun to bend beneath its weight and when Christopher Wren arrived in Salisbury in the early 1700s, he estimated that they were leaning at least 75 cms away from the center!

The Cathedral’s choir stalls, all finely carved in oak and the ‘Cathedra’, the Bishop’s seat or ‘cathedra’ that gives its name to the building were in fine condition near the altar. Follwing the printed guide and a rather nice human guide who was somewhat amusingly named Roger Bacon (!), I arrived at the picturesque Cloisters (which were never actually used as cloisters as the cathedral never had monks living there). However, it was meant to be a place to read and relax in and indeed that it was! I stepped through into the Chapter House which was built at the same time as the Catehdral though it has more modern Victorian stained glass windows that were restored when the original medieval ones broke–by the way, the cathedral was built in the early-1200s!

Up Close and Personal with Magna Carta:
So I suppose I ought not to have been surprised to discover that Salisbury Cathedral has an original copy of one of Great Britain’s most precious treasures, the Magna Carta of 1215! Yes, one of the three original 1215 copies is here under glass (the other two being in the British Library at King’s Cross in London, one of which has suffered fire damage and is illegible). This one was in pristine condition and together with the Domesday Book which I saw at Kew the other day, it really was one of the highlights of my travels in the UK!

I mean, just imagine having the opportunity tot gaze upon the original Magna Carta! And I mean you can get really close to it for it is merely preserved under glass. While most people expect the Magna Carta to be a heavy tome, I knew it would be a single rather large sheet–and indeed that is exactly what it is! In lay men’s terms, the Magna Carta (Latin for ‘Great Charter’) is simply a statement of legal demands that were thrust upon King John in 1215 by the barons to ensure that their rights would be protected and that the king would not overstep his powers. It was presented to King John at Runnymede between Windsor and Staines, a fact that is declared at the bottom of the document. It came into the possesion of the Cathedral as John’s half-brother William was associated with the Catehdral. He received an original copy of the document which he then passed on to the church. Somehow–don’t ask me how–it was placed for about 90 years during the Victorian Age in a cabinet and forgotten about, so that when it was rediscovered, it was found to be in such a great state of preservation! Unbelievable!

Written in Latin upon vellum (calf skin parchment), it is very easily read if one knows Latin! Various copies of it were produced throughout the 1200s with the 1297 version having become the cornerstone of the British legal system and having influenced the greatest charters such as the Declaration of Independence of the USA and the constitutions of so many Commonwelath countries (including India’s). So, for all these reaons, I was deeply moved to be in the presence of so important a document–like I felt when I gazed upon the Declaration of Independence in the Capitol building in Washington DC so many years ago–only that document was dated 1776, this 1215!!!–a difference of only half a millennium!

Well, back in the Cathedral, I took in its colossal proportions that dwarfed me as I gazed upon it and wondered as I have done in every cathedral I have seen (such as Winchester and Chichester, York and Canterbury) how it was at all possible for the laborers to create the sort of buildings they did in that time given the almost primitive nature of construction! Certainly they did not lack craftsmanship for the fine quality of the stone carvings is just breathtaking.

In Search of Constable’s Masterpiece:
I spent the next few minutes buying post cards from the shop as there was one more thing I wanted to do before I set out for the station to get my train back to Andover.

I wanted to discover the exact spot from which Constable painted his famous view of Salisbury Cathedral. As I got out of the cathedral, luck favored me right away for I caught hold of what looked like a ‘Salisbury Local’ and asked him if he could direct me to the spot “across the river” which is seen in so many postcards. It turned out that this man was not only a local but a knowledgeable one at that (don’t you just love it when people know their local history and enjoy sharing it with visitors?) and went on to tell me that there were various views and he wondered which one I meant. Well, I said, somewhat hesitantly, knowing that not a lot of people share my obsession with Art–“I’m really interested in the spot from where Constable painted his famous view of Salisbury Cathedral that is in the National Gallery in London!”

“Ah”, he said, delighted at my inquiry. “Of course. For that you need to walk straight ahead past the Close, go under the gateway, make a left at the pizza place, then go over a bridge on the river, follow the road as it bends past the Meadows which will be on your left. You will see a road leading to the railway station and on its left a foot path leading to another wooden bridge. Cross that bridge and you will see the Cathedral on your left in the exact angle in which Constable painted it”. My God! I could have hugged him! I mean imagine asking someone for something as esoteric as this and finding a person who not only knew what I was talking about but happened to know how to get me to the exact spot!

So off I went. His directions were crystal clear. While I was crossing the first bridge, I spoke to Llew on his last day at work. We are simply so excited to see each other again and we simply can’t believe that the one year that stretched out at us seemingly endlessly has come to an end! I told him I had spent the night at Steph’s and was at Salisbury and couldn’t wait to see him tomorrow in London. Then, I resumed my goal, passing by some of the most charming parts of the city and neat roads lined with lovely terraced houses and blooming gardens. Truly, there is nothing more beautiful that a summer’s day in England–even a rather cloudy one on which the sun is reluctant to show its face!

And then I was there. Across the meadow filled with black and white cows and a scattering of sheep and the River Avon on whose banks grew tall bulrushes that almost obscured the sight, there it was!!! I was so moved, so thrilled, so delighted to be there! The rain had stopped, thankfully, and I could gaze upon the sight that Cosntable so immortalized in his work. Yes, the trees have grown more lushly since his time and much of the Cathedral’s front facade is obscured by the luxuriant foliage…but it is still timeless, this scene, still filling the passerby with a rare serenity that made me feel so happy to be alive.

Leaving Salisbury:
Then, I was hurrying off to Salisbury station along another pleasant walk and arrived well in time to take my 4. 24 train to Andover. I waited there for about 20 minutes while Stephanie finished up at work and when she arrived to pick me up, I told her all about my lovely day. She was surprized that I had made such a great and full day of it for when she had visited Salisbury she found nothing much to grip her attention but the Cathedral and she told me that she wondered what I would possibly find to do there for a whole day!!! Well, I have to say that I could easily have spent another two hours in the town for there was so much to see and do.

Back on the Tube from Richmond, I reached home at 7. 30 which left me time to eat my dinner, check my email, make a few more last-minute calls to Llew and get to bed–as I said, alone for the last time. When I awake tomorrow, my life of solitude and contemplation in England would have ended and I know it will not take long for this entire incredible year to seem like nothing more than a dream–which is why I am so glad I have maintained this blog, for it will remain a constant reminder to me of all that I made of this year that was gifted to me from above and how much I appreciated this opportunity of a lifetime!

Library Research, a Disastrous Bus Ride and ‘Pottering’ Around Leicester Square Premiere!

Jul7

Tuesday, July 7, 2009
London

I had intended to spend the entire day doing research at the libraries. But you know what they say about Man Proposing and God Disposing. It wasn’t as if I awoke late—nothing of the kind. In fact, I awoke at 6. 30 am, read another 40 pages of Potter, called my parents in Bombay, cooked myself some scrambled eggs with sausages and bacon (as I am trying to finish up all the food in my freezer in preparation for my departure at the end of the month), then showered and left my flat.

At the British Library:
I had expected to arrive at the British Library at 10 when it opened, but I got there about 10.30 and by the time I took possession of the documents that were held for me in the Asian Section (former India Office Library Collection), it was 10. 45 am.

One glance at a longish Anglo-Indian Memorandum of 1934 convinced me that I needed to photocopy the entire 32 pages of it. However, the cost was 88p per page and when I asked the assistant for help, he told me that he would see if the same document was available in Microfilm, in which case I could photocopy it myself at a cost of merely 20p a page—big improvement that! He then called for the item and informed me that it would take at least an hour before it was located and handed over to me.

This lent me the time to read a marvelous memoir by an Englishwoman named Elinor Tollinton who had spent most of her life in British India as the daughter of a former ICS man (A.R. Astbury) and later the wife of a British lawyer (Phil Tollinton). It was like turning the pages of The Jewel in the Crown all over again. She presented the memoir to the British Library in 1988, a little after the Raj Revival of the mid-1980s had brought tons of TV watching pleasure to Great Britain as it soaked in Imperial nostalgia—The Jewel in the Crown, the Far Pavilions, Gandhi, Heat and Dust—all these films had flooded the market at the time probably motivating people like Elinor to tell it as it really was; for she ends her memoir saying, “Recent films and sophisticated propaganda have introduced a picture which does not always accord with the facts. I know because I was there.”

The memoir, typewritten on very fine tissue-like paper is accompanied by an album of photographs that documents the construction of so many Public Works Projects in the undivided Punjab—bridges over the rivers, lodges and government bungalows in the Simla hills and the railroad lines and the new trains that were created to take Raj officials to the hills to escape the heat and dust of the plains in summer. It was not just the history buff in me that thrilled to these words but indeed the travel lover as well, for the memoir takes us through Germany before the war, Northern India at the time of the Raj–particularly Lyallpur (now in Pakistan) and Simla– Oxford where Elinor and her family moved after the Independence of India and Austria where they went on vacations.

It is a marvelous record of the adventures they encountered as they met with a gallery of personalities that fill the history books of the period: Gandhi, Nehru, Rajagopalacharia, Sir John Simon (of the Simon Commission) and Lord Wavel (last but one Viceroy of India). In-between Elinor talks about the epileptic fits that almost took the life of her son, Hugh, and her daughter Elizabeth’s refusal to answer to anything but her nickname, Buffy. At her school interview in London upon returning from India , when asked to spell her name, she said, B-U-F-F-Y, much to her mother’s acute embarrassment.

I had expected to find some information about the interaction of these British officials with Anglo-Indians but except for one small mention of their proficiency in running the Railways, there was nothing at all. Nevertheless, I did not consider it a waste of time and I was swept away into the Edwardian world with a vengeance—one of my favorite periods in history.

When, my document arrived, Chris, the assistant, showed me how to register to use the copy machine and how to photocopy from the microfilm reader. By 3. 30 pm, I was all done but I was starving as I hadn’t even taken a break for lunch having found my reading so absorbing. Back downstairs, it was pouring rain and I ate my quiche in the quadrangle under a large umbrella of the café outside called The Last Word. Then, I decided to wait a bit until the worst of the downpour had passed (as I had no umbrella) and when the fury of the shower had abated, I caught Bus 10 to Hammersmith and then changed to the 391 to Richmond.

A Disastrous Bus Ride:
I intended to travel next to the National Archives at Kew where several other documents were being held for me. This Archives are open on Tuesdays until 7 pm, which would leave me a good two to three hours to examine a few of them. That’s when my plans went completely awry. The bus took ages to arrive and when it did, two of them, infuriatingly, came together. And then the creeping and the crawling began. We were still at Oxford Street about 45 minutes later. By the time, I arrived at Hammersmith; it was already almost 6 pm. Still, I decided to push on and at least get to the Archives so that I could find out where exactly they are located and take the Tube there next time round.

Well, the 391 was even worse and by the time we reached Chiswick Road, it was past 7 pm. Yes, it had taken me three hours to get from King’s Cross to Chiswick!!! The Archives would have closed by then, so filled with irritation at myself for having chosen to take the bus, I got off at Gunnersburys Station intending to return home by Tube as I simply couldn’t stand the idea of doing the same bus journey in reverse!

Pottering Around Leicester Square:
Only instead of taking the Underground, I took the overground train! This meant that I had to get off at Willesden from where I transferred to the Bakerloo Line to get to Baker Street. At that point, I remembered that tonight was the World Premiere of Harry Potter and the Half Blood Prince. Well, the premiere was at Leicester Square and while the hoopla had begun last night, I thought I should try to catch a glimpse of at least one star. Besides, attempting to see a premiere at Leicester Square is supposedly one of the free things you can do in London and just for hoots, I thought, why not???

So there I was at Leicester Square where I arrived at 8.00pm. Alas, I was 15 minutes too late for the stars of the film had already entered the two theaters that were simultaneously showing the film and had disappeared. There was a huge stage set up, however, and though most of the crowd had left to grab dinner, a few stragglers were hanging about it. No one was clear exactly what was likely to happen later in the evening but the rumor did the rounds that the stars were inside watching the film and would emerge 115 minutes later to climb the stage and humor their fans.

The stage set was covered with red and yellow flags that featured the Gryffyndor logo on it: a dragon spewing fire, while another crest featured two crowns. I did not have my camera with me and after standing in the midst of the excited crowds for a while, I heard an organizer announce that the film had started late and it would not be until 10 pm that the stars would come out of the theater!

Just when I began to feel as if I should get back home (it had, after all, been a long day), who should emerge from the theater but Mr. Pottymouth Himself–Gordon Ramsay of Hell’s Kitchen fame with his wife Tana and his two kids. They must have wanted to use the toilet or something for they left the movie half-way through it! At any rate, with the crowd giving him a rather lukewarm cheer, he ascended the stairs with his young family and disappeared on the other side.
I heard someone standing next to me say to her companion, “Who was that?” and her companion said, “Oh, he’s that famous TV cook but I can’t get his name!” My Dad always used to say: “Fame is the food that dead men eat…I have no stomach for such meat” quoting someone or the other! (It was actually Henry Austin Dobson, 1840-1921).

Well, then, that was my brush with fame. I did not feel motivated enough to wait until 10.00 pm and I turned right around, took two buses that got me back home after which I ate a rice and curry dinner while watching extracts on BBC One of the Michael Jackson Memorial Service in LA, checked and responded to my email and wrote this blog before getting to bed.

The new Harry Potter film opens on July 15, so perhaps I shall see it when I get back home to the States—this novel was my favorite of the lot and though I want to go back to Southport and watch all the films in sequence, I must say that I am sorely tempted to see this one right here and now!

In Stratford–Shakespeare Found–and the Cotswolds

Jun29

Sunday, June 28, 2009
Stratford-on-Avon and Chipping Norton

I had no intentions to returning to Stratford-on-Avon while I was in Oxford. After all, I had been there the weekend of Shakespeare’s birthday (April 23) with Stephanie and would not have wanted to waste a day in the same venue. But just a couple of weeks after my return from Stratford, my colleague Karen began talking about a new Shakespeare Portrait that has just been unearthed and which is of supreme significance both for the literary and art worlds as it is suspected to be the only portrait for which Shakespeare ever posed during his lifetime. She told me that seeing it with her husband Douglas (who is a Renaissance scholar) was one of the highlights of her year in the UK–and I figured that if it is so special, I ought not to leave the UK without seeing it. I don’t believe that it was on display when I was in Stratford with Stephanie in April—maybe it was, maybe not. But in any case, since I was only 40 miles from Stratford here in Oxford, it made sense for me to take public transport to get there and have my own peek at this portrait.

And so I had ear marked today for this trip. I awoke about 7. 00, read Harry Potter for about 40 minutes, then left my bedroom to wash and get dressed for the 8 am Mass at The Oratory (a Jesuit-run church) on Woodstock Road near St. Giles. When I had passed by yesterday, I had discovered that there was a Mass at 8 am—a Mass that was described as “Old Rite”. I had no idea what this meant but I decided to find out since breakfast on Sunday is only served at 9 am. This left me time to attend Mass and get back in time for breakfast.

Old Rite Mass at The Oratory:
The Oratory is a very historic Catholic church in Oxford. It was established in 1845 which doesn’t make it old by Oxford standards, but it was the venue in which the famous Cardinal John Newman began his Ministry about the same time. I do not know enough about his Ministry (and the internet is not working efficiently enough here for me to get online and find out) but I do know that he initiated a chaplaincy that has resulted in Catholic ministry on every college campus world-wide—all of which are named after him. For example, the Catholic Center at the University of Hawai’i in Manoa, Honolulu, where I had spent a summer and attended Mass, is named the Cardinal Newman Center. These centers usually conduct masses for the Catholics on campus and provide ministerial support. Cardinal Newman was known to be an extraordinarily fine preacher and, no doubt, the pulpit in this oratory was the platform from which he gave his sermons.

The Oratory is famous for another reason: the early 20th century poet Gerald Manley Hopkins who was a Jesuit priest was a Curate in this church. Having studied his poems as an undergraduate student in India, I do remember reading that he was a Catholic priest and one who was especially drawn to Nature in attempting to find his way to God.

So I was very pleased to arrive at the church only to find that it had a strikingly beautiful interior. It isn’t very much to look at from the outside, but the inside is gorgeous, especially in the many beautifully carved saints that adorn the altar. But what amazed me about the church, more than anything else, was the congregation. I thought I had been whisked away in a Time Machine to the early 1960s (before Vatican II) when I used to attend Sunday masses in India with a veil in one hand and a Children’s Missal in the other. Upon entering the church, I would wear the veil on my head which my mother would often pin up as my hair is so silky and it would never stay put.

Well, most of the women in the congregation had veils on—in white or in black! I was stunned. It has been years since I have seen such a sight. Not only that, but the children in the church had missals in their hands and were actually following the service with the aid of these books. I was so struck by their good behavior. I saw no toys, no Cheerios, no books or anything of the kind to distract them (as I see in the churches in America where attending Mass is more playtime than anything else for a majority of the kids. These were old-fashioned children raised with old-fashioned parenting techniques that have gone with the wind. Needless to say, the Mass was in Latin, the priest facing the altar. Communion was distributed the traditional way at the Communion rails (you kneeled down to receive) and it was placed on your tongue and not in your hand! My God, I simply could not believe it! Seriously, one of the things I never thought I would take home with me to the States after my year in the UK was the variety of Christian forms of worship that I have experienced as I have gone to different churches every Sunday, representing various denominations of Christianity and conducted in vastly unique ways. As my stay here comes to an end, I am glad I had decided early in my stay here to do this: to try to attend Mass at a different church each Sunday. It has left me with fascinating observations and experiences and for those I am truly grateful.

Sunday Breakfast at Norham Road and Journey to Stratford:
My three fellow lodgers were already at table when I joined them for Breakfast this morning. Sunday breakfast meant hard boiled eggs (two for each of us). I toasted white sliced bread and make myself tasty sandwiches with my eggs—the sort my mother used to make for me when I was in school! I also ate cereal and drank two glasses of orange juice as I had a long way to go on the bus and wanted to get a hearty meal inside me.

I left my place at 9.45 to catch the 9. 55 bus (Stagecoach S3) to Chipping Norton (via Woodstock). I had found out that a Daypass offered unlimited travel on the bus for 7 pounds which was really a bargain. The bus rolled in about 10 minutes later (at 10. 05) and then we were off. Luckily, the day was gorgeous once again—lovely blue skies and bright sunshine—in fact, it turned a little too warm by the afternoon and I heard on the TV that tomorrow will be even warmer—28 degrees which is close to 86 Fahrenheit. The bus was crowded with teenagers, most of whom alighted at Blenheim Palace leaving the front seat wide open for me to enjoy.

The driver had told me that from Chipping Norton the bus S3 became the 50, so all I had to do was sit on the same bus. He also informed me that we would arrive in Stratford by 11. 20 am. The Daypass was really a bargain as the total distance was about 50 miles. We drove through beautiful bucolic Cotswold countryside passing charming little villages made of the typical honey-colored Cotswold stone for which this area is famed and the black slate roofs that give each village a marvelous uniformity but also a rural quaintness. Front and back gardens were full of summer blooms—dahlias brought vivid splashes of color to flower beds and tall hollyhocks and delphiniums were impressive in their stately height. I have to say that I am truly jealous of the enormous size and quality of the blooms that the English seem to be able to coax out of their soil without the use of expensive or damaging fertilizers. There is no way that we could produce the same results in the States—I am sure it has something to do with the presence of certain metals in the soil which provide those much-needed nutrients.

Arrival in Chipping Norton:
When we arrived in Chipping Norton, I recognized it at once as the little Cotswolds town in which Llew, Chriselle and I had once spent a night during our own tour of the Cotswold more than 10 years ago. Indeed, I even recognized The King’s Arms Hotel in which we had stayed and simply for old times’ sake, I decided that I would stop by there on my way back and explore the town on my own before catching the bus back to Oxford.

As we sailed on towards Stratford in the bus, I enjoyed the passing scenery. Mile after mile of field full of thriving plantings lent striking shades of green to the landscape. Sheep did dot the pastures and occasional farmhouses advertised themselves as being B&Bs while signs announced that “Afternoon Teas” were available in village churches. Next weekend, most of these villages will be having their annual summer fetes and I am sorry that I will be too far away to enjoy them, as I am seriously thinking of attending the sailing regatta at Henley-on-Thames with my friend Amy when she arrives from New York.

Arrival in Stratford-on-Avon:
When we did finally arrive in Stratford, I made a beeline straight away for Henley Street where Shakespeare’s birthplace is located. The Portrait Found Exhibit is in the Shakespeare Center right next door to his house. I was pleased that one could buy a ticket for just five pounds only to see the exhibit without needing to buy an expensive ticket to get into the Shakespearean houses—these I have seen several times before and did not think I needed to see them again.

The Shakespeare Portrait:
Ok, so here’s the reason why I made this pilgrimage to Stratford. In 2006, an Irishman named Alex Cobbe who lived in a grand mansion outside Dublin attended an exhibition at the National Portrait Gallery in London entitled Portraits of Shakespeare. Upon looking at one of the portraits on display there, he was struck by the fact that it looked curiously similar to a portrait of an unknown gentleman that was hanging on the walls of one of the rooms in his house. He brought this fact to the notice of the powers-that-be and the painting in his house was examined and studied. Considerable scholarly opinion has come to the conclusion (led by a Prof. Stanley Wells) that this is a portrait of William Shakespeare and that indeed this might be the only one for which he ever posed during his lifetime!

This means, of course, that all of the portraits of Shakespeare that we have seen thus far were either created by people from memory after Shakespeare had passed away (in 1616 at the age of 54) or that they were copies of this one portrait for which he, Shakespeare, actually posed. One of the reasons why Wells and other scholars believe this to be an authentic posed portrait of Shakespeare is that Cobbe also has in his collection a portrait of another unknown Elizabethan whom he had thought to be a lady (based on her long hair that flows down one shoulder and her rather effeminate face). Scholars who have studied this portrait have come to the conclusion that this is not a woman at all but a rather feminine-looking man who was known to the world as Henry Wriosthesley, Earl of Southampton.

Now, not only is this Alex Cobbe a direct descendant of the Earl of Southampton (which is why the portrait has come down to him) but this Henry Wriosthesley was also Shakespeare’s fond patron and the one to whom, for a very long time and even today, his Sonnets are believed to have been dedicated (“To Mr. W.H.”)—the initials deliberately inverted by Shakespeare in order to keep his identity unknown.

Now, if we know (and it can be proved by genealogical data and records) that Alex Cobbe is a direct descendant of this Mr. W.H., then it is also easy to see the connection between Shakespeare and this newly ‘discovered’ portrait. For Mr. W.H. might well have paid the money to an unknown artist to have his dear friend’s portrait painted—a portrait that he wished to retain in his own possession. In his later years, Mr. W. H. fell badly out of royal favor for his involvement in a plot to destroy Elizabeth I and was imprisoned in the Tower of London. We do have another portrait of him created at this phase in his life (which is also at the exhibition) and when you look at the two together –of the younger Mr. W.H. (which is very decidedly androgynous) and the older one, you do see a distinct resemblance that leaves you in no doubt that the two portraits are of the same person made several decades apart.

When Mr. W.H. died in disgrace, his possessions (including his paintings) passed into the hands of his next-of-kin and all the way down into the hands of Alex Cobbe who simply did not know that the unknown Elizabethans whom he gazed at daily in his home were Shakespeare and his patron Mr. W.H. So the discovery of this portrait is significant because if Shakespeare had posed for it then it is the closest likeness we could ever have of Shakespeare—though of course, being dated as having been painted in 1606 (by X-rays, tree ring dating and based on the rich and very expensive garments he is wearing in the portrait, particularly the style of lace collar around his neck), we think that the artist flattered the poet who at the age of 46 years in 1606 could not have looked quite so young and unblemished of complexion as he appears in it.

The controversy (like so many associated with the life and times of Shakespeare) will continue endlessly until we can prove without any shadow of a doubt that it is actually Shakespeare–through some incontrovertible documentary evidence. Meanwhile, whether we are convinced that it is Shakespeare or not, we can all delight in the superb quality of the painting and its marvelous state of preservation. For the other portraits of Shakespeare (also in the same exhibition), supposedly based on this one original, newly unearthed portrait, are such poor imitations of the original as to seem almost amateurish.

For all of these reasons, I was glad I read everything about the exhibition and spoke at length to the guide who explained things to me in great detail. Since the two portraits (of the young Mr. W.H. and of Shakespeare) have been loaned to the Shakespeare Trust for only a limited period and since Mr. Alex Cobbe will be taking them back to his Irish estate in September, I was very pleased indeed that I had the chance to see it and to understand the complexity involved in its discovery and its provenance. So I am grateful to Karen who told me all about it.

Back to Oxford—and a Bad Fall in Chipping Norton:
I took the 2. 20 bus back towards Oxford (having spent quite a while lazing by the river and watching the world go by). On impulse, I got off at Chipping Norton and decided to walk around the town a little bit retracing my footsteps as I remembered them. It was here that I had a fall. I couldn’t make up my mind whether to stay on the bus to Oxford or get off and see the town. I needed to find out what times the buses run (as they are few and far between on Sunday) and while I was checking the timetable at the bus stop, the bus started to move. Attempting to run after it to board it, I fell over the pavement and hurt my knee badly where it made impact with the hard surface of the road.

Well, after I was able to get up, I decided to go out and find the church we had visited ten years ago and which I remembered clearly as well as the neighboring Alms Houses( all rather picturesque and reminiscent of illustrations in story books). Unfortunately, most shops had closed for the day and the town seemed rather deserted.

An hour later, I returned to the bus stop and took the 4. 10 bus back to Oxford but decided again on impulse to get off at Woodstock in order to return to Blenheim Palace to buy two postcards as I had left the ones I had bought a few days ago in the loo on my way out the other day! Well, I have to say that my knee seemed to be carrying me fine through the ten minute walk to the shop and the salesgirls were good enough to give me replacements postcards without my having to pay for them again—because they remembered me from the other day!
Then, I was boarding the 5. 30 pm bus back to Oxford. I got off near Bevington Road on Woodstock Road and it was only about 10 pm that my left knee started aching really badly. I got myself an ice pack (on Llew’s advice) and rubbed some Moov on it and after writing this blog, went to bed, hoping that I will not be completely incapacitated tomorrow.

Museum of Gardens and Wandering in Wapping

Jun15

Monday, June 15, 2009
London

I love museums and I love gardens (and gardening); so it was only natural that I should make an attempt to see the Museum of Gardens on the south side of the Thames near Lambeth Bridge. I had wandered, by happenstance, through this spot, a few weeks ago, on the Jubilee Walk and had decided to come back, time permitting.

So, though I spent the morning transcribing an interview I did with Valentine in Wembley, bringing email correspondence up to date, taking a shower and preparing a packed lunch before I left the house at 1. 30pm, I manage to make the time this afternoon to get to the Museum. For some reason, I thought that Lambeth Bridge was really far away–must have been because the last time I had walked to it from Central London, and it had taken what seemed like ages to get there.

Dallying in the Museum of Gardens:
The Museum of Gardens is located in a most unique setting–the former, now deconsecrated, Church of St. Mary’s at Lambeth which dates from the 1500s. It sits right next door to Lambeth Palace (which is probably now used only as administrative buildings). The church was converted into a museum in 1977 when the tombs of the two John Trancesdants, father and son, famous Renaissance gardeners, were found in the churchyard. It was decided to honor their contribution to horticulture by creating a garden and a museum of gardens around their tombstones. These rather faded reminders of their time on earth still stand in the church yard but they are surrounded by a wonderful Elizabethan Knot Garden about which, I am sure, they would be delighted.

My Metropolitan Museum ID card was honored at this spot and I was able to get in for free. It is a really small museum and I don’t understand what can justify the entry fee of six pounds. On the ground floor, there is a wonderful current special exhibition called The Highgrove Florilegium–apparently, this is a horticultural term for an attempt to capture on paper through paint a visual representation of every specimen of fruit, flower and plant available in a single garden. It is a custom, it seems, that has persisted for many centuries. This current one, is an attempt to do the same at the Gardens of Highgrove, the estate occupied by Charles, Prince of Wales, and his wife Camilla, which is close to the town of Tetbury. The Prince invited botanical artists from around the world to his gardens. They created their work (almost all of them quite brilliantly,I might add) and the originals were then printed and bound in two huge volumes that comprise the Highgrove Florilegium. These are both on display in this exhibition–one closed, the other open, to show the exquisite quality of the printed reproductions as well as the marbled jacket design. On the walls, in this small exhibit, are about sixty of the original framed botanical paintings and they are quite superbly done.

My next item of interest was the cafe through which I walked to get out into the Knot Garden. There were several people who had arrived there before me. They found themselves chairs and garden tables and sipped their coffee slowly on what was another glorious summer’s day in London. I found a stone bench placed right beneath an interesting stone sculpture that remembers the contribution of the garden’s founders and munched on my sandwich of blue cheese, parma ham, tomato and lettuce on walnut bread. It was delicious and very satisfying indeed and my view of the garden was superlative.

With lunch done, I walked around the lovely knot garden taking many pictures. Elizabethan Knot Gardens were planned around a complicated formal design formed by yew and boxwood hedges. The spaces left in-between the curlicues of these patterns were then filled with a variety of flowering plants. I was delighted to notice that the flowers that we usually see in the States only in the middle of July are already here in full bloom–lavender (loads of it), foxgloves and delphiniums, hydrangeas, roses, many different varieties of salvia and the loveliest poppies (in vivid red, soft pink and deep purple) that grow tall and stately in this country.

I really do feel pleased with myself that I planned my adventures in London so well. In the heart of winter when it was cold, snowing or pouring chilly rain, I closeted myself in the city’s museums and studied gallery after gallery with the utmost pleasure. Now that the weather is so perfect, I am exploring her outdoor marvels–and since the English love gardens with such a passion and lavish so much time and sweat equity on them, they are always delightful, no matter how simple. In the next couple of days, I will be visiting a few more gardens, each of which is a different example of the types of gardening and landscaping techniques that influenced the rest of the world.

Upstairs, the museum has its permanent collection on display–this is nothing to shout about. It is a random sample of gardening tools, seed packets through the decades and paintings featuring gardens. I was very pleased to see two things: a special stained glass window inserted into the original Gothic tracery of the church window featuring the Transcendant brothers at various tasks in the garden and the original desk of the famous English gardener Gertrude Jekyll who was best known for her color artistry in the flower bed. She worked closely with her friend Edwin Lutyens (architect of New Delhi and landscape designer) to create beautiful gardens during the Edwardian age. This desk was designed by her and used in her study for several decades.

I did browse also around the shop but apart from a few interesting books, there was nothing really to write home about. I left the Museum of Gardens in about an hour and a half and but for the fact that the entry fee is so steep, I would encourage anyone who lived or worked in the area to make the time to simply linger among the scented flowers in the Knot Garden.

Loads of Luck at the National Theater:
The next item on my agenda was a visit to the National Gallery where I hoped very much to be able to exchange the tickets I had purchased to see Helen Mirren in Phedre. Now these are probably the hottest theater tickets of the entire summer season and I had been so delighted to find them on the very last day–August 1 (the show has since been extended for another three weeks, due to public demand). However, since I am leaving the UK to return to the USA on July 31, I could not, of course, use the tickets I had booked. When I had called the theater to find out if they could help me, all they offered was to take them back for theater credit–no money would be returned to me.

I might have given up and simply sold them to a friend…but then I met Matt, my NYU colleague, who is also a press theater critic. He suggested I go personally to the theater and find out if they would exchange them for me. Hence, my mission. I have to say I went there with very slim hopes and a prayer on my lips–not only was I hoping to find tickets that had been returned by someone (fat chance!) but on one of the 2-3 nights only on which both Llew and I would be free and in London to use them.

Well, I guess the theater gods were rooting for me because not only were 2 tickets available but I did actually get them on an evening when we would both be in London together and had no plans already lined up!!! How fortunate was that???!!! I could have kissed the clerk except that he was so forbidding! Well, a few minutes later, I was walking out of the theater with a new set of tickets. So Llew and I will be seeing Phedre together after all and as the Bard would have said, All’s Well That Ends Well!

A Walk in Wapping:
The very first time I had heard of Wapping was on a walk with my former neighbors Tim and Barbara way back in September of last year. They had invited me to join them on a long walk along the Thames Path to the dockside settlement of Wapping for a Chinese lunch at the Pearl River Restaurant that offered lovely views of Canary Wharf across the Thames.

Well, this time I went there with the intention of taking the second last self-guided walk in my book Frommer’s 24 Great Walks in London. This one began at the Shadwell Docklands Light Railway Station but I realized that I could also get there on the red buses–and that was what I did. A bus to Aldwych, another one to Aldgate and a third to Shadwell deposited me exactly where I wanted to begin.

I have to say that this was one of the strangest London walks I have taken. For one thing, it took me into parts of the city that were largely deserted, but never scary. I was starting the walk rather late in the day (it was 4. 50 when I began). But then it remains bright until at least 8. 00 pm which left me ample time to do the 3. 5 miles walk.

For the most part, I skirted the Thames Path, winding in and out of the Docks (St. Katherine’s Dock, Tobacco Dock, Oliver’s Wharf, etc.) from where the extensive trading that made Great Britain great was carried out! At Tobacco Wharf, for instance, tea, tobacco, silks, china, etc. were loaded on to ships that travelled far and wide around the globe. The tea that was unceremoniously dumped into Boston Harbor during that infamous ‘Tea Party’ was probably loaded here! Today, the area is completely deserted though two replica tea clippers with interesting figureheads stand in dry dock. I noticed that a lot of the buildings–former warehouses–have been refurbished and converted into offices–there were interior designers and graphic artists with premises in the area…but it hasn’t yet caught on fully as a feasible site for contemporary trading.

I loved the very narrow alleys that ended in Old Stairs and New Stairs that led down to the Thames–because the tide was in, I could not see the golden sand that forms a beach along the banks. However, it was so easy to imagine how busy those alleys and stairs might have been in a previous era when most traffic in London was conducted along the river and not on the roads–the river was faster and far safer. I could so easily imagine women travelers lifting their voluminous skirts as they climbed those embankments that would lead them to their homes after a shopping spree in London.

In those days, these were busy parts, bustling with human activity and commercial enterprise. Pubs and inns dotted the waterfront and remnants of that feverish past are evident in a couple of watering holes that still stand such as the Town of Ramsgate, the Jack Smith and The Prospect of Whitby–the last is the city’s oldest waterfront pub. I had to go inside and check out the unique bar–a stainless steel counter that sits on top of great oak kegs of beer. Outside, from the terrace, you can actually see the gallows with a noose in place that gives a sinister hint of the pub’s less salubrious past. There is a huge Ingelnook fireplace and cubby-hole like rooms complete with exposed beams and a low hung ceiling–this is the kind of place you see in films that recreate the Elizabethan era. There were tables and chairs sprinkled on the waterfront terrace and I ordered myself half a pint of Guinness and took a long rest from my long walk. Nothing could have been more welcome (though I have to say that I was disappointed to find that the female Eastern European bar tender had no idea how to pour a draft Guinness and did not leave it to rest for the requisite 118 seconds to let the head settle before filling it to the top).

Earlier in the walk, I had visited the Church of St. George in the East–a Nicholas Hawksmoor church (he was a student of Sir Christopher Wren and is responsible for a few landmark churches in the city) that was bombed during the Blitz and then reconstructed within the old shell. It is quite ingeniously done, the two bits seamlessly yoked together. As with all old churches, the tombstones have been moved to the periphery of graveyards that have been converted into play space for the neighborhood children (most of whom were Bangladeshi, if one went by their dress and the Bengali language they spoke, for the area is also crammed with apartment buildings and council house developments).

Overall, it was a very interesting walk indeed. The streets are narrow and almost entirely cobbled–this provides the old world charm that makes the place look completely different from anything in Central London. Some streets have the old gas light lamp posts and the aged look of quarters that have known a great deal of history. I would strongly suggest an exploration of these parts. They evoke a time and a world that is so different from our own and are yet so intrinsically a part of this city and its developing fortunes through the centuries.

I was back home at 7. 30, which allowed me to catch up with my email, write this blog, eat my dinner and complete a couple of pending chores.

Trooping of the Color, Wallace Collection and Dinner at Sarastra

Jun13

Friday, June 13, 2009
London

The Trooping of the Color:
I guess that after all the exciting, fascinating, marvelous experiences I have been having in London, I had to have one disaster–and it came today. I decided that I would go off to the Trooping of the Color–supposedly one of the most important events in the royal calendar. Free tickets are distributed by lottery several months ahead of the event and the lucky ticket holders have assigned seats on the Horse Guards Parade where they watch a series of military manoeuvres (or something of the kind–nobody seems very clear what goes on there!).

The Queen herself is present on this occasion and she arrives at the venue in a golden carriage from out of Buckingham Palace with other members of the royal family in attendance. I had heard, from the garrulous web, that non-ticket holders were welcome to line the Mall to watch the parade pass by. Apparently, after the military troops finished their ‘show’, the royal procession returned to the Palace and just a little later, they would appear on the first floor balcony to wave at the crowds who then raised their heads upwards to the skies where a fleet of planes then zoomed above them and all the way along the fluttering flags of the Mall. It seemed a worthy sight to witness and if I, Samuel Pepys-like, was going to provide an accurate account of my year in London, I figured it had to include this red letter day!

So I left my flat at 9. 45 after a hasty cereal breakfast, took two buses to arrive at Trafalgar Square from where I walked briskly to the Mall already despairing at the sight of the vast, (and I mean mammoth) crowds that had gathered there ahead of me. If I had any hopes of seeing anything at all, they were rudely dashed to the ground. People were standing at least six thick all along the Mall, their kids propped up on their shoulders. It was just impossible to gain a glimpse and I almost abandoned my plans to stick around and half thought of turning back right then and there…when I decided not to give up so easily.

So I walked the length of the Mall hoping to find some crack open somewhere through which I could squeeze. No such luck. By the steps leading up to the pedestal on which stands the sculpture of the Duke of York, I attempted to join the throngs and for a few minutes actually did think I might see something. A few people had found a way to get to a terrace (private property apparently) and sit themselves on it and I joined them. Of course, it wasn’t long before at least fifty more people climbed a ladder that took us up to the terrace and that was when all hell broke loose.

An aggressive and really irritating policewoman came shouting at the top of her voice and demanded that we get right off as we were trespassing on private property and she threatened to arrest all of us if we did not get down at once. Oh blimey, I thought! That would make a story, wouldn’t it? Getting prosecuted in London??? The sad part was that most of the folks up on that terrace were foreign tourists who could not understand English anyway and had no idea what she was yelling at them! You can bet I chickened out and, with the rest of the crowd, scrambled down that ladder before you could say “Trooping the Color”. Well, talk about adventures– I seem to collect them like stamps!

Well, after that fiasco, try finding a spot! It was simply impossible. The totally irritating policemen and women seemed to find only that part of the parade route to monitor and they were at it constantly, urging people to get off the steps and keep the paths clear and growling out all sorts of instructions in the rudest fashion possible. In all my time in London, I have never seen nor heard more revolting and insulting policemen and women and I can just imagine how they must have treated those protesters at the G20 summit meetings. All people wanted to do was a get a glimpse of the proceedings, for heaven’s sake. Where was the need to be so mean about the whole thing?

Being the obedient idiot I am, I did what they said and kept the stairs clear and left the throngs to deal with them. I simply wanted to put as much distance as I could between me and those barking lunatics who suddenly seemed to feel empowered by the fact that so many vulnerable people were at their mercy. I found a spot much further down the mall but I have to say that I didn’t see very much. There were contingents of soldiers on horseback (and god knows I have seen enough of those during my year in this city) and then I caught a fleeting glimpse of Princess Anne, the Princess Royal making her way to the venue, but I did not see anything else beyond that.

In a few minutes (make that seconds), it was all over and I thought to myself, “I cannot believe I was threatened with prosecution for this bit of nonsense!” Of course, it might have been a case of having consumed a whole bunch of sour grapes. I bet those folks who had the prime spots along the route did not think the whole pageant quite so stupid. Anyway, I turned to leave when I heard an Englishman announcing to his family that if they had the patience to stand there for another hour, they would see the procession in reverse (returning to the Palace) at which point, they would see the planes fly up above.

I had, however, more than I could stomach for one morning. I have seen the Queen twice in the past year (once at Crathie Kirk near Balmoral in Scotland when the entire family except Anne had been present not even two feet away from Llew and me) and once on her way to the Opening of Parliament in November when I was much closer, had a chance to take pictures, etc. So, no, I did not feel disappointed that this morning turned out to be such a damp squib. I just felt annoyed with myself that I had even bothered to come out to the Mall on a morning like this. How so many tourists had descended on the city of London was beyond my comprehension.

It was nice, however, to see the Mall all festooned in Union Jacks, each flag post topped by an impressive crown! I did get a few pictures by holding my camera aloft but they only give an idea of the number of heads that were in front of me! It reminded me of a Macy’s Thanksgiving Day Parade that I had once attended in Manhattan where hundreds of people standing in front of me meant that I saw nothing of the floats–the balloons, however, soar high up in the air, so those I did see. However, I had sworn then that I would never attend the parade in person again and that it made much more sense to watch it on the box in the comfort of my family room…so, I have never gone out again to brave the autumnal cold in New York at the end of November. In recent years, of course, we have been too concerned about getting our turkey roasted on time to even bother about what the telly has been bringing into our homes.

Browsing Along Marylebon High Street:
I took a bus from Piccadilly that took me through Regent’s Street and on to Marylebon where I jumped off to walk along one of my favorite of London streets–Marylebon High Street. This one street has so many of my best-loved shops–great for browsing, window shopping or buying (Cath Kidson, Rococo Chocolates, Daunt Books, The White Store) and a lovely bunch of coffee shops (Patisserie Valerie, Paul’s Patisserie, Le Pain Quotidien, etc.) that it is always a pleasure to wander down it at leisure.

As it turned out, within moments, I came upon a garden market named, cutely enough, Cabbages and Frocks. Inside, there was the usual arts and crafts stuff–beautifully tailored coats, leather bags, one-of-a-kind jewelery–and stalls selling foods (there were some really pretty cupcakes). But most things cost an arm and a leg at these places and, I suppose, the prices are justified when you consider that everything is handmade, not mass-produced. I was very lucky indeed to come upon a stall selling nothing but cashmere garments–from scarves to full-length sweater jackets and coats. I almost bought a cashmere coat but then it was too large for me and I had to pass it up–bummer! However, I was very pleased with the two cashmere scarves I found (one for Llew and one for me) and a very swanky pair of Versace sunglasses. Those were truly a steal at the price I paid and I was delighted.

Wandering Through the Wallace Collection:
More rambles down the High Street took me in and out of my favorite stores until I arrived at my next destination: the Wallace Collection. I had last been here about five years ago, but had only seen the Highlights then and had no time to study the rest of the items on display. This afternoon I intended to linger at leisure and to wander through the vast rooms that make up this grand mansion.

The Wallace Collection–perhaps the country’s finest and most opulent private art collection–is
housed in an elegant mansion just off Marylebon High Street and right behind Oxford Circus. It is truly a pity that but for the art connoisseur and the well-informed, so few people know about this place or visit it. Yet, it is stunning, to say the very least, and anyone with a love for the 18th century and its ostentation would find themselves in a private Mecca. And entry is free to boot! A recent Restoration has brought renewed grandeur to the place (as if it needed any!) so all special exhibitions are temporarily on hold.

Inside, there is an abundance of fine and decorative art works collected by the Dukes of Hereford, especially the 3rd Duke, who, amassing these works, spent almost the entire fortune he had gained from his wealthy wife. They have been left to the nation which explains why there is no charge. It is, therefore, one of the cheapest treats you could ever have in London and it is a mystery to me why so few people know about it. I guess you can call it one of London’s best-kept secrets.

If I was sorry that I missed the special exhibition on Sevres porcelain at the Queen’s Gallery when Chriselle was here (it was scheduled to begin a week after our visit there), I need never have worried. The collection of Sevres porcelain in this one place–Hereford House–is enough reason to visit it. Indeed, what is thrilling about it is not just the exquisite beauty of each piece but the interesting provenance–so many of these tea and coffee services and dressing table sets belonged to Europe’s royal families including such colorful historical figures as Madame de Pompidour herself! In fact, she single-handedly saved the porcelain factory from becoming bankrupt by getting the King (Louis XVI) to bail it out and, in doing so, made it fashionable again.

There is also a great deal of Boule and ormolu furniture and if your taste runs towards the OTT (Over The Top), the ultra-decorated and the Baroque, you will be thrilled at the wealth of bombe chests, writing desks and bureaus and staggeringly massive armoires that you will see in striking inlaid and marquetry designs. But, for me, of course, the greatest aspects of any such collection are the paintings and there are any number to make your mouth water in this one building.

Take for instance, two of my favorite paintings of all time: The Swing by Jean Honore Fragonard is here and so is Miss Bowles and Her Dog by Sir Joshua Reynolds. Again, it is worth getting to Hereford House just to see these two canvasses and these were the ones I had seen when I was last here five years ago.

But there is also Franz Hals’ famous The Laughing Cavalier (a huge misnomer as the subject is neither a cavalier nor laughing!), Nicolas Poussin’s A Dance to the Music of Time, Reuben’s Rainbow Landscape (one of the largest landscapes he did–its twin is in the National Gallery) and at least two really lovely paintings by Pieter de Hooch who is one of my favorite artists of all time–A Boy Bringing Bread and A Woman Peeling Apples. These are on current display and I spent a great deal of time just gazing at them as I wandered into 17th century Delft on the brush of this charming painter. There are also a bunch of Watteaus and Velasquezes but by far, the most prominent artist present in the Wallace Collection is Francois Boucher. From small canvasses to really gigantic ones that dominate the stairwell on the way upstairs past the ornate wrought iron balustrade and marble staircase, his women are seen in their fat, pink, buxom glory together with charming cherubs, skeins of fruit and flower and a number of pastoral vignettes.

There was a Highlights tour beginning at 3 pm but by then I had seen most of the rooms on my own and was just too tired to take it. There was also a vast crowd of people (who had probably come just in time for the tour) and if I have a chance, I shall return there on a week day when I can take the tour with fewer people.

I sat in the sunshine outside on what was another spectacular summer’s day in London and ate a makeshift meal composed of walnut bread, Wensleydale cheese with ginger and fresh strawberries that I had purchased at Waitrose on the high street. And then, I returned inside to see a few more of the brilliantly stocked and superbly curated rooms. There was a fine restaurant out in the marble courtyard but my extempore picnic lunch was much better enjoyed, I thought, than a formal meal at a table.

Dinner with Tim, Barbara and Hannah:
Then, because I was suddenly so fatigued, I decided to return home and get some rest as I had plans for the evening as well. As soon as I arrived home, I simply threw myself on my bed and curled up like a baby and went off to sleep like a light. When I awoke about a half hour later, I felt re-energized and ready for a nice long shower. I washed and dried my hair and dressed and at 7. 50, I walked back to my former building at High Holborn to keep my date with my former neighbors Barbara and Tim who had suggested I join them for dinner.

Barbara’s niece Hannah was present and Tim settled us down well with wine and beer and some snacks as we watched videos of their recent drives through Yellowstone Park and then we set off for the ‘Restaurant Surprise’ as Tim did not tell any of us where he had made reservations. As we walked past Lincoln’s Inn Field, we cut into Great Queen Street and Drury Lane and then the surprise was revealed. We would be eating at Sarastra, a very theatrical restaurant opposite the Royal Opera House at Covent Garden. Isn’t it marvelous how I can simply walk to all these places and get dinner?? I still can’t get over the convenience of the location of these flats in which I have lived.

Well, the decor of the restaurant reminded me a bit of Hereford House because it too was OTT and ostentatious–but not in an ancien regime sort of way–more in a theatrical, contemporary, gaudy sort of way! It had opera boxes along the sides and several diners were hoisted up near the ceiling to eat their meal. We were placed in a cozy niche out of the general din for there were several celebrations on including one rather rowdy hen party. The restaurant could not quite make up its mind what sort of cuisine it served–presumably it was Turkish, but there were maybe two Turkish items on the menu! The rest was a pastische that included Steak Frites and Fish and Chips!

The food, however, though it remained uncertain what exactly it was, was delicious. My Boeuf Bourgignon was absolutely scrumptious and though my portion was huge–it was served over creamy mashed potato–I finished every last bit of it because it was so good. The appetisers that Tim ordered (Scampi Meuniere and Turkish style Aubergines) were passable–the scampi better than the aubergine. None of us had room for dessert and we decided to have coffee back at their flat, so left soon after with me feeling slightly too stuffed for comfort. The walk back home was a good idea and the peppermint tea that followed lulled me well into sleep after Tim escorted me back home to my flat. I need not have worried–the area was buzzing with the many pubs, clubs and restaurants that line the Farringdon area around Smithfield Market.

I fell asleep after a chat with Llew as I had forgotten to carry my cell phone with me and thought that I ought to take it easy tomorrow as I am suddenly quite inexplicably tired.

Two More Walks and ‘As You Like It’ at The Globe

Jun8

Monday, June 7, 2009
London

My day began with Harry Potter and then the transcribing of an interview with Coreen. Frustratingly, another interview that was scheduled for the morning with an Anglo-Indian was cancelled with no desire on the part of the lady to reschedule it. So, there it went! Another contact bites the dust! Still, I suppose I must be grateful for the many Anglo-Indians who have cooperated with me in my research, made the time for me and extended their legendary hospitality to me.

When I finished the transcribing and the proofreading, I decided to get out and finish two more self-guided walks from my Frommer’s Book. Perhaps it was for a reason that I had saved these for last–they are both based on the eastern side of the city and easily accessible by foot from where I live.

Ghosts of the Old City–Dick Wittington’s Influence:
This walk, though entitled “Ghosts of the Old City” took me to a number of Christopher Wren designed churches, each of which was filled with marvelous legends and folklore, not to mention ghosts! This walk began at the Church of St. Mary Le Bow whose bells are supposed to have rung out the ditty: “Turn again Wittington, Lord Mayor of London” to prevent the orphan Richard (Dick) Wittington from running away from his life of cruelty in London.

The legend of Whittington is all over this part of the city in the many churches with their lovely ornate Wren steeples. I stepped into this one right off Cheapside (so-called because a daily market was held on this street for the common man in the Middle Ages) into Bow Churchyard. Like all Anglican churches built by Wren, there is a quiet austerity about these interior spaces made more ornate by stained glass windows through which jewelled light streams on sunny days and the odd touches of gilding on plaster decorated ceilings. There is a crypt in this church (which is probably Roman) where a Healing Session was taking place when I visited briefly.

Out of Bow Churchyard, I stepped into Bow Lane in search of the Williamson’s Tavern and found it in a little alleyway. This building used to house London’s Lord Mayors (until Mansion House was built) and the pub that is on the ground floor proudly reveals this fact. I also discovered that this pub serves traditional English ales and is on The Ale Trail–a series of well-marked walks that allows the ale-lover to sample the ancient brew in rather quaint surroundings. If you order a pint of ale at any one of the pubs on these routes, you get a stamp on a card. Five stamps and you are entitled to an Ale Trail T-Shirt! Now had I known about this earlier, I might have tried to do this as well and perhaps there might still be time for me to do one of them–let’s see.

A Haul of Roman Coins and Pottery:
It was while I was getting out of this pub and heading towards another one called Ye Olde Watling Pub that stands on the crossroads where the old Londinium Roman Road intersected those going off to Canterbury and Winchester, that I spied another church. This one was not mentioned in my walk (I wonder why???) but my eye was attracted to a notice outside the church that said: “New stock of Roman coins on sale. Inquire within”. I entered the Guild Church of St Mary and was stunned. You have to see the fan-vaulted plasterwork ceiling to believe it. I mean, it is gorgeous!!! And yet, this church was not on my walk! How is such a thing possible? I spent a long while inspecting the interior and taking pictures and then ran into the Verger who took me into the sacristy to show me the haul of Roman coins.

Now I have to say that, in my ignorance, I thought he would produce some museum-shop style reproductions. But, get this, he had a haul of real, genuine Roman coins that have been found in digs all over the London area. It turns out that the Vicar of this Church, one Rev. John Mothersole, has been a dedicated antiquarian since the age of seven. He spends his free time traveling to sites associated with the ancient world and brings back genuine souvenirs of his visits that he is able to gain access to, thanks to his clerical collar!

Well, not only did I find each Roman coin (which he has collected from the many people who have found them in the basements of their London houses or wherever there is a dig of some sort going on in the city) but he categorizes them, gives you detailed provenance of each of them, dates them, etc. and sells then to raise funds for the church. I saw a beauty–a silver coin from the reign of Antonious Pius (first to second century AD) that I wanted to buy right away because I was so excited that I was actually holding a genuine Roman coin that had been working currency in the ancient world!!! However, the Verger did not take credit cards and I did not have enough cash on me, so I will have to return to pick it up.

When he saw how interested I was in the coins, the Verger took me to his safe and showed me fragments of pottery from archaeological sites that his Vicar had collected and labelled and which he was willing to sell me for any donation I wished to give. I parted with a few sous and ended up with two fragments–one from the Bhir Mound in Taxila (the ancient Indo-Gangetic university town), now in Pakistan and another large fragment from the handle of a Roman amphora from Monte Tess…. in Italy! Can you imagine how excited I was? Now, I know for a fact that these things have no monetary value at all–but for me, history buff that I am, this is a part of the ancient world that is actually in my possession–a tangible reminder of the glorious past that I can hold in my hand and marvel at. That was all I cared about as I safely bundled my goodies in my bag and left the church. Just see where happenstance led me???

Well, the walk continued then to the Temple of Mithras, an underground Roman Temple which has been recreated at ground level and is nothing more inspiring right now than a heap of cemented brick. The actual marble statues of Mithras (that were part of this haul) I have seen in the Guildhall Gallery and in the Museum of London. The Church of St. James Garlickhythe, my next stop, was closed though it is located in a very picturesque square, so on I pressed towards College Hill to the church of St. Michael Paternoster Royal (mind you, these are all Wren churches) where there is a stained glass window depicting Dick Wittington and his cat! Wittington did indeed become Lord Mayor of London four times and donated large amounts of the money he made to this church. Just a short walk uphill, you come across a blue plaque that announces the actual site of his mansion, now long gone.

The London Stone:
The last really interesting item to discover on this walk is the London Stone. This is now ensconced in an ornate wrought-iron grilled receptacle near 111 Cannon Street. While no one knows exactly what this is, it is conjectured that it was placed at the very heart of the old city of London during the Middle Ages though it is also possible that it was a Roman Milestone used to measure all distances from Londinium to other parts of the Roman empire in the province of Britannia. Not a single soul stopped to look at it (probably because no one really knows anything about its existence), but to me this was a remarkable find.

Meeting a Fellow-Blogger:
Then, I went out on foot towards Liverpool Street Station where I’d made plans to meet a regular reader of my blog. He chanced upon it a few weeks ago and has been giving me wonderful suggestions on places to see in the city. Murali is a mathematician in a bank who shares my passion for poetry, travel, London, theater, history, art, old houses, etc. and it was decided that we should put faces to each other’s writings as I have been frequently browsing through his blog and gaining valuable information from it.

He bought me a peppermint tea and settled down with a hot chocolate himself as we talked about our backgrounds and the circumstances that brought us, both Indian-born, to London. After a good hour during which we got to know each other better, he left me with some more suggestions for things to see and do in this city, before we said goodbye.

I had a couple of hours before I would make my way to the Globe Theater to see Shakespeare’s As You Like It, so I decided to do a second walk as its origin at the Museum of London was not too far at all from where I was.

Remnants of Rome:
This walk entitled “Remnants of Rome” has been done by me in little dribs and drabs over the past few weeks (without my really meaning to do this). It started at the London Wall near the Museum of London and took me into a little Herb Garden attached to the Worshipful Company of Barbers (can you even believe there is such a thing???!!-only in England, kids, only in England). From there, I could see the tall steeple of St. Giles Cripplegate Church where the poet Milton is buried. But it was closed and all I could do was admire it from the outside.

Reading about the London Wall taught me that the Romans had built a wall to surround the city of Londinium (in the same way that they did in York–which still stands quite superbly enclosing the old city). While much of it was destroyed by the Middle Ages, successive kings did fortify it so that the walls of the city of London stood until it was no longer necessary to use it as a form of defence. The various parts of the city today whose names end in ‘Gate’, as in Aldergate, Bishopsgate, Ludgate, Cripplegate (probably because crippled people congregated outside this gate begging for alms) etc. were actually gates into the city through the old walls!!! At any rate, I shall try to visit this church sometime in the future. Its antiquity is doubly curious since it stands today right in the midst of the huge township-like community that has developed around the Barbican including St. Giles Terrace, a number of very modern apartment buildings built around artificial lakes and fountains whose balconies spill over with colorful geraniums. Dotted around the area are old gardens, all of which are still so beautifully maintained.

A Tribute to Hemminge and Condell:
This walk continued towards the Guildhall which I have covered on other trails, so I decided to skip it this time and take a rest in a small garden on Aldermanbury Square where I made another charming discovery! This was not in my book either, so it was another one of those happy spots to which only serendipity led me. I found myself in a small garden with a bronze bust of Shakespeare in the center. Now I was going to see As You Like It later in the evening, so I wanted to find out what Shakespeare was doing in the middle of London’s Financial District.

Well, it turned out to be a monument to John Hemminge and Henry Condell, two of Shakespeare’s earliest editors. It was they, Shakespeare’s friends and fellow-actors in the theatrical world, who after his death in 1616 decided to put together a volume of all his plays–his Collected Works as it were, to be made available to the public. Now you must realize that none of these plays were in any one place. They were scattered all over, in Shakespeare’s own handwriting, with theater notes made on them, any amount of corrections and changes made to the script as Shakespeare or his collaborators thought suitable. Hemminge and Condell painstakingly brought all Shakespeare’s Tragedies, Comedies and Histories together in one volume–what we call the First Folio of 1623 (the Second Folio came out in 1632) and were it not for their labors, the works of the world’s greatest playwright might well have been lost (since play writing was not considered a respectable profession or a high art form and these working manuscripts were usually destroyed right after a play had finished its run).

Can you imagine a greater catastrophe than that!!!??? I had, of course, studied all this during my undergraduate years from the late Dr. Mehroo Jussawala, a Shakespeare scholar par excellence at the University of Bombay so many years ago. But to actually see a monument that acknowledges their efforts was deeply moving to me and as I sat there and gazed upon the bust of Shakespeare, I felt a tear well up in my eye.

And then when I considered how unassuming and modest about their achievements Hemminge and Condell had been, I was even more moved. For this is what they write in their Preface:

“We have but collected them, and done an office to the dead,–without ambition either of self-profit or fame; only to keep the memory of so worthy a Friend and Fellow alive as was our Shakespeare”.

Awwww!

Yet, despite their huge contribution to the History of Dramatic Art, nowhere have I ever seen them publicly acknowledged in this form. It was not until 1896 that someone called Charles Clement Walker of Lilleshall Old Hall, Shropshire, thought it fitting to reward their endeavors by creating and funding this monument that he placed in their memory in a part of the old City that they might have frequented. Bees buzzed around a great big patch of yellow flowers and another great big patch of lamb’s ears that grew tall and stately and were full of purple flower heads as I contemplated the long journey of the Bard from the Globe Theater to the hearts and minds of people around the world.

Off to the Globe Theater:
So it seemed only appropriate that my next port of call was Sam Wannamaker’s new Globe Theater on the opposite bank of the Thames which I crossed by strolling over Southwark Bridge. I pulled my suede jacket a bit more warmly around me and wondered if I had done the right thing going directly to the play without stopping at home to pick up a warmer coat. Still, I imagined it wouldn’t be too bad.

It was the opening night of Shakespeare’s As You Like It, a play which I know really well from having studied it as a student of Eng. Lit. years ago. I have also seen it in performance on at least two occasions and both times I remember that the character of Celia had been far more memorable than Rosalind.

Anyway, I was meeting my NYU colleague Matt who teaches Drama at NYU-London and is also the Theater Critic for the International Herald Tribune. He had invited me to use his free press pass on press night, an occasion that included a lovely buffet with a bar and an opportunity to pick up freebies–like a programme and a free cushion! Matt arrived at 6. 45 pm as we had planned and we spent a lovely evening together filling up on quiches and pork pies and sandwiches at the buffet and sipping elderflower juice (which I have developed a great fondness for here in London) and white wine for him.

As for the play, gosh, it was good! We loved every second of this charming production to which all of the characters lent their histrionic expertise. This Rosalind was far better than Celia, I have to say, and by far the two most interesting characters were Touchstone the Fool and Jacques who in their supporting roles provided refreshing comedic nuances. We also loved Peter Gayle who plays Amiens and lent his very pleasing voice indeed to the songs that are so intrinsic to this play. I told Matt that years ago, during my life in India, I had served as Theater Critic for The Free Press Journal–I had done this for almost ten years and had seen every significant dramatic production (both international and indigenous) that had ever come to Bombay. This explains why Chriselle gravitated towards a career in Acting–it was because she had accompanied me for years on end as a child, from one play production to the next, as I took notes and then churned out my reviews.

At the interval, we were downstairs nibbling again (on some really outstanding olives) and socializing and then we were back in the ‘galleries” (and how very grateful I was for my seat for I felt really sorry for the poor groundling sods standing in the pit!).

Darkness had fallen when I returned to Wobbly Bridge to cross it and walk home. Matt who lives in beautiful Hampstead was envious of the fact that I could just walk back. He turned towards London Bridge and left. Though I had expected a chilly night, it really wasn’t bad at all. The lights illuminated the many striking buildings, their reflections dipping into the river and in less than ten minutes after I passed by St. Paul’s Cathedral, I was home.

Osterley Park and House–Another Adam Masterpiece!

Jun7

Sunday, June 7, 2009
Osterley Park, London

The Silence of English Rain:
It was only because I was awoken today by a series of thunderclaps that I realized how quiet really is English rain! I mean for all these months that I have lived in London and for all the dreary, drizzling, dull and dripping days I’ve dealt with, never have I ever woken to the sound of rain–unlike the din that the downpours make in Bombay or the drumming of the drops that come down in sheets outside my Connecticut windows. English rain is silent rain. You see it, you feel it, you taste it, you smell in—but you never never hear it! This fact came home to me this morning when I actually heard the thunder and realized how odd the sound felt and how long it had been since my ears had picked up those deafening decibels.

I turned over in bed, reached for Potter, read about fifty pages, then promptly turned over and fell asleep again–awaking this time about 8. 30. This left me just enough time for a fragrant shower but not time enough to linger over coffee. I fixed myself a breakfast to go (toast with raspberry jam), dressed in layers and a trifle too warmly (as we’ve had a few nippy days and I did not want to feel chilly on the Thames’ tow paths) and was off. I caught a bus from Charterhouse Street, then connected to the 8 on High Holborn, then to the 9 that got me to Hammersmith and then the 419 that took me to Richmond. See? I am becoming quite a pro at this bus route thing!

My friend John was awaiting my arrival at Richmond Station and, at my request, we checked out some of the thrift shops in the area (inspired by Mary Portas who has lent her expertise to a recent feature in Time Out in London magazine on the city’s best thrift shops). It seems the ones in the towns and villages along the Thames (Richmond, Barnes, Twickenham, Putney) are particularly good and since I was in the neighborhood–what the heck! It was worth a dekko, I thought.

Well, I was not disappointed. John knew them all. From Richmond to St. Margaret’s, the little village in which he has a very cute flat, he accompanied me like a trooper. And my sleuthing was not in vain. By the end of my foraging, I emerged with a virtually new pair of Prada shoes and two English bone china mugs that commemorated the wedding of Prince Charles with Camilla–in their original boxes! Needless to say, I got these enviable items at bargain prices but then we were too laden with my purchases and the drizzle continued intermittently.

We decided to abandon our plans to walk at leisure along the Thames; but instead crossed Richmond Bridge (I saw a lovely interpretation of it in Trevor Chamberlaine’s oil painting at the Guildhall Art Gallery recently) and took a bus to Osterley. Our aim was to tour the National Trust-run property that was designed by Robert Adam called Osterley Park and House.

Visiting Osterley Park and House:
Once we alighted from the bus, we had about a ten minute walk to the gate of the property, after which we had to walk another ten minutes to get to the entrance of the house. Once past the gate, the visitor soaks in the wide expansive property on both sides of the driveway–property in which cattle grazed placidly or chewed the cud for the weather kept changing every ten minutes and by the time we reached Adam’s imposing Neo-Classical portico, past the beautiful artificial lake, every raindrop had dried and the sun shone warmly upon us.

We released our coats and brollies and jackets to the safe keeping of the staff at the front door and launched on our discovery of the premises. The best thing we could have asked for was the audio wand that comes free with admission (normally 8. 50 pounds though it was free for me as I am a National Trust member) for this proved to be extraordinarily useful as we flitted from room to room.

But, first things first. Modern-day visitors (i.e. We) do not enter the house by Adam’s intended main door. We use a far more modest side entrance. Why this is so is beyond my comprehension. If the Trust wishes visitors to achieve as exact an idea as possible of what it might have been like to be invited as a guest of the family in the 18th century, they ought to have permitted us the holistic experience! Nevertheless, the entrance was impressive as we were carried up a wide staircase and on to the first floor landing from where we saw a superb ceiling medallion done by none other than Peter Paul Reubens in the early 1700s. Now the original was removed for safe keeping in the early 20th century (during World War II), rolled up and placed in a warehouse on the Channel Island of Jersey–which promptly caught fire so that Reuben’s original work was destroyed. What adorns the ceiling of Osterley House today is a reproduction but it carries none of the subtlety of Reubens’ coloring (as anyone who has seen the ceiling of the Banqueting House at Whitehall would tell immediately).

Be that as it may, the audio wand told us the story of the inhabitants of this house at this stage in the tour. The house was built by James Child in the 18th century to a design by Robert Adam who was recognized as the greatest architect of his era specializing in the creation of the English country estate. Child had inherited his fortune from his ancestors who were Directors of the East India Company and had made their money a century previously trading in tea, cotton, silks, spices and, yes–it must be said–slaves! In 1763, he married a woman named Sarah who gave him one child, a daughter named Sarah Anne. The family lived for at least 30 years in Osterley Park at the time when most of the interior decoration was undertaken by Adam.

The tour wound us through the exquisite taste and grandeur of Adam’s aesthetic. If you have seen Syon House (or any one of the other stately homes for which he is responsible–see my blog on my visit to Syon House written last October), you will see a uniformity in his designs–his use, for instance, of symmetrically formal arrangements inspired by classical motifs in the Palladian style–such as urns and pilasters, columns and Greek key designs on moldings, the lavish use of white plaster of Paris embellishments contrasted against the matt backdrop of what has come to be called Wedgwood blue, green, teal and puce (because it was in the same era that Josiah Wedgwood was imitating the classicism of plaster of Paris interior decoration on his ‘Jasperware’ pottery in his factory in Stoke-on-Trent in the Midlands).

Apart from this, Adam’s most striking signature feature, there are paintings galore in the house, executed directly on ceilings or as panels on the walls of each room or as framed canvasses then used to decorate them. Collections of fine European and English porcelain, marquetry work on furniture. impressive sideboards and other occasional seating pieces (a Robert Adam-designed bed is the most stunning centerpiece in the master bedroom) and other accoutrements make up the bulk of the house. Special mention must be made of the Tapestry Room whose walls are lined by Tapestries whose four center medallions are woven interpretations of a series of paintings by Francois Boucher called The Seasons. This work is so finely executed that were the visitor not informed that it was tapestry on the wall, he would well have believed he was looking at paintings. These tapestries were made in France by the famous Gobelin factory and they must be among the most valuable things in the place. Downstairs, visitors walked through enormous kitchens in which prodigious amounts of food were cooked and conveyed by a stealthy series of staircases and concealed doors for the gastronomic pleasure of the family and their privileged guests. Overall, not too bad an ancestral pile at all!

The audio guides were superb in pointing attention to each of the features of the rooms as well as providing a wealth of historical, artistic and architectural information to further enhance enjoyment of the visual feast. What came home to me on this visit was that the Neo-Classical architect needed to combine the genius of three varied disciplines in the execution of his work: as builder, engineer and artist. Indeed, all these elements combined to make this one of the most enjoyable tours of a country estate that I have ever taken. Though Osterley lacks the ostentation of, say, Vanbrugh’s Castle Howard near York, it is a magnificent building and one that I was very glad John accompanied me in visiting.

Tea in the Stables:
Our visit had rendered us ravenous and we were glad that sustenance awaited not too far away–in the picturesque Tea Rooms that extended out into the Tea Garden–a brick-walled enclosed garden with wrought iron furniture and green canvas umbrellas. We settled down to cups of steaming Darjeeling and a cheese scone and how welcome was that treat! Truly, if it was the East (China and India) that bestowed the habit of tea-drinking upon the English, it was they who gave to the rest of the world that charming meal called Tea-time. I often wish it were not the issue of the tea tax that had led to the loss of the thirteen North American colonies. It was probably out of defiance that the American colonists rejected the delightful customs of tea-time–which explains why we do not pause for tea at 4 o clock in America while the people of every former British colony everywhere else in the world do!!! Or maybe Anna, the Duchess of Bedford, who is credited with having started the delightful custom of tea-drinking by surreptitiously calling for the drink with a snack in her boudoir had not yet initiated her habit by the time the colonists dumped that shipload of tea in Boston Harbor!

A quick look at a film in the former stables and a browse around the shop and it was already 5 pm and the park was closing down for the day. John and I walked past the lovely lake, took some pictures together to commemorate our visit and then were walking along the rural pastures that had made agriculture such a lucrative pursuit for the 18th century aristocracy–it was not for nothing that they were called the landed gentry! If you could only see the endless acres stretching all the way to the horizon that surround this house! It wasn’t long before we said our goodbyes, parted at the bus-stop and went our separate ways.

I have begun to master the routes to Charterhouse Street and in an hour and a half, I was home. I had almost an hour-long conversation with Llew on the phone before I stopped to eat my dinner (a rather light one of chicken noodle soup and toast with chocolate praline ice-cream for dessert) as that scone still stood me in good stead.

It was soon time to write this blog, get ready for bed and go to sleep, my appetite entirely whetted for the feast of country estates and gardens that await me on my proposed tour.

Dallying in Dulwich! And Transcribing Another Interview

Jun5

Friday, June 5, 2009
Dulwich, London

It seems that either I stay up half the night with sleeplessness or I awake at 8. 15 (now this has to be the latest I have ever awoken here!) and panic. Because I had plans to meet my friend Janie at East Dulwich Station at 9. 30, I tore out of bed, washed, got dressed (no, I did not shower–no time!), threw two slices of bread into the toaster (to eat on the bus) and was out the door like greased lightning!!!!

The 63 took its time trundling along Farringdon Road, but I made the connection to the 176 heading towards Penge really quickly on Blackfriars Bridge and I was at the appointed place at the appointed hour–by some inexplicable miracle! And Janie was not there! It was then that I realized (quelle horreur!) that I had left my cell phone at home!!! I am now beginning to realize that I can get out of the house without my bus pass but NOT without my cell phone.

So, of course, all I could do was twiddle my thumbs and wait…and wait…and wait. Just when I was beginning to despair, I stepped inside and asked the ticket clerk if there was another entrance to the station. Nah. So there I was freezing slowly (because it was a really chilly day which felt like a normal summer’s day in England instead of the scorchers we’ve recently had). At a few minutes before 10 am, I began to consider alternatives. I could take a bus and get to the Dulwich Picture Gallery which was our aim and meet her there. Hopefully, she would still stick with our original plans and not go back home to Clapham (she was driving).

Well, just when my options began to become more concrete, along came Janie! Hallelujah!!! Many relieved hugs and kisses later (she was waiting at the wrong station–North Dulwich instead of East Dulwich!), we were off. Janie suggested she give me a little driving tour of Dulwich Village first. I requested a stop on the street on which Kamala Markandaya used to live. She is the late Indo-British author on whom my doctoral dissertation was based (which subsequently led to the publication of my first book, a scholarly criticism of her novels).

A quick check into Janie’s A to Z revealed that we were not too far away from her place at all and then within five minutes, there we were, in a street filled with lovely Victorian terraced homes with their plaster embellishments running all along the porches and the window frames. I stepped out, took a couple of pictures and then we were back again in the car, heading off to the Village.

My friend Janie is a lover of all things Georgian but mainly their architecture and she is also an authority on it–so it is always a joy to take an excursion with her as I end up learning so much and to see with informed eyes. Traveling with her means becoming aware of things I would never have found out on my own. For instance, she stopped outside a block of houses with blackened brick and explained to me how the windows were raised and lowered using a concept of weights and pulleys that were concealed in the broad window frames! Just next door was a later Victorian house that still used the same mechanism, but the apparatus was hidden inside the house so that the broad window ledges and crowning frames disappeared by the mid-1900s. Not only has Janie an eye for these things but she has the knowledge and the enthusiasm to explain every last detail and the awe and passion in her voice as she speaks is unmistakable.

Getting to Know Edward Alleyn:
She then went on to tell me about Edward Alleyn, a name that I knew was familiar but could not immediately place. When she mentioned Christopher Marlowe, something clicked in my brain, and I remembered he was the Elizabethan actor-manager (of the Rose Theater, a competitor of the Globe) who had taken the debut role of Dr. Faustus in Marlowe’s play. Well, like Shakespeare, Alleyn made a stack of ducats and ended up with a finger in many business ventures, including dubious ones like bear baiting and brothels! Then, one day, during the scene in Dr. Faustus with Mephistopheles in hell in which he is surrounded by 12 devils, Alleyn counted 13! And that changed his life. He decided that he was a man wealthy beyond his wildest expectations and ought to give something back to the society that had so nurtured his talents and allowed them to bloom. It was schools for little boys that he was going to found with his excess wealth and that he set about doing in the Village of Dulwich in which he lived and had a grand mansion.

So began the God’s Gifts School–first one, then another, then yet another, until the education of boys became his passion and he poured all his profits into them. The establishment of Dulwich College (a private school for boys) soon followed and you can see the imposing red brick building with its exterior Victorian flourishes (reminiscent of The Victoria and Albert Museum) and its magnificent wrought-iron gate alongside his house just next door to the Dulwich Picture Gallery. Janie’s son goes to one of these schools which is how she is so familiar with the history and origin of this set of fine public (which means private!) schools. I took many pictures (despite the drizzle that played almost all day) and decided to explore the area on foot after Janie left at mid-day as she had domestic commitments.

The Dulwich Picture Gallery and Sickert in Venice:
By the time we arrived at the beautiful purpose-built building that comprises the Dulwich Picture Gallery (no marks for guessing that the architect was Sir John Soanes, he of the Bank of England and the famed Museum that bears his name), we were starving and decided that a little pick-us-up of toasted croissants with caffe lattes would do very nicely, thank-you. So we headed off first to the cafeteria and sat ourselves down and caught up! I had last seen Janie when she was kind enough to drive me to Rochester, Kent, to pick up my antique weighing scale. Turned out, she had since then received the contract to design posters and other such graphics for the Rochester Cathedral based on their eagle logo, which she had visited for the first time on her trip with me!

Well, it turns out that Janie actually knows some folks in the antiques shipping biz and I might end up getting a better quotation for the shipping of my antique bureau-desk back home to Connecticut. Wouldn’t that be lover-ly, as Eliza Dolittle would say? More chatter, more sips of latte, more bites into our crispy croissant, and then we were ready to see the collection.

My Met ID card worked and I was granted free entry into the special exhibit entitled “Sickert in Venice”. Entrance into the Gallery is usually free–it is only the special exhibits for which you pay. I felt very pleased indeed though Janie did buy herself a ticket–a rather steep nine pounds, I might add for an exhibition that spanned just four small rooms.

So it was the Sickert we looked at first of all. Those canvasses took me right back to Venice and the fun days I had spent there last March with my friends Amy and Mahnaz. I had gone there for a conference organized at the Venice International University and made a holiday of it–and what a blast it was! Well, there they were…all those images reminding me of those awed times that we climbed the Campanile in Piazza San Marco to watch the pigeons in the square below; the baldachino in the Basilica San Marco that conceals the stunning Pala D’Oro behind it (easily one of the most beautiful things in the whole world that I have ever seen!), the canals with their bobbing gondolas or stopping by the pallazos–some still shining, others rather decrepit, the Rialto Bridge gleaming in the artistic sunshine in shades of pink and blue and yellow. All those memories came rushing at me in Impressionistic idiom and color and I sighed and gazed and sighed again. Sickert’s perspective is often oblique, his tendency (as in the new photographic form) closely cropped to focus on just one element of a Renaissance structure or on the effect of silvery moonlight on a watery canal. It was magical.

And then there were his portraits–mainly of prostitutes who posed for him, their hair coiled up like Japanese geisha girls. More portraits of their mothers saw them looking pale, forlorn and very pathetic indeed. Women in bed sleeping quietly while watched, women stretching lazily like so many graceful felines, women bending over their baths, women chatting companionably (though, in reality, they were ruthless rivals for the same clientele). Surely those years in Venice (the early 1900s) might have been adventurous in the extreme for the young Sickert escaping strait-laced Victorian respectability and middle-class morality in England and sowing his wild oats under the Venetian sun!

Janie left soon after, allowing me to browse through the rest of the small but rather lovely collection. There were a few outstanding canvasses, I thought–the one of ‘Mrs. Moody and her Children’ by Gainsborough was particularly evocative because she died so soon after it was painted and her little boys (both wearing girls’ dresses with great big sashes and bows as, I understand, was the custom until boys were potty-trained!) were painted in later. This naturalized portrait compares intriguingly with Gainsborough’s earlier work such as Mr. and Mrs. Andrews (in the National Gallery) which are so much stiffer and stylized. Also lovely was a portrait of a girl at a window by Rembrandt (recently restored and rather beautifully at that) in which she gazes at the viewer quite saucily, her eyes bright with hope for her future. Peter Lely’s young man (not really a portrait since the person in neither known nor named) is wonderfully lit, his features glowing golden in the clever artificial lighting. There were stunning Murillos, Riberas and a Velasquez portrait of Phillip IV in rather an unusual pose.

All the while, you are walking through rooms created by Sir John Soanes, himself a great lover of art and a collector (see Hogarth’s series called The Rake’s Progress in his house at Lincoln’s Inn Field) and I can see how carefully he must have considered the placement of the windows to allow maximum natural light without diminishing the clarity of the paint as time passed by. There are his classical embellishments–the use of four decorative urns at the top of the main entrance, but some modern touches as well–the use of rather unusually designed doors. There is a classical austerity in the many arches, brick-bound and sombre. Enjoy the art but also pause to enjoy the architecture–for the more I see of the work of Soanes and the more I get to know the man, the more he is beginning to feel like an old friend.

Exploring Dulwich Village:
It was time to potter around the Village and my first stop was the spacious grounds of Edward Alleyn’s house (now turned into a number of almshouses). There is a chapel that is open only on Tuesday afternoons but beautifully landscaped rose gardens that were brimming over with fragrant blossoms–a significant flower for the Elizabethans loved roses with a passion. There is also a bronze sculpture that celebrates Alleyne’s thespian contributions to the Theater and set against the quiet square and the blushing roses, they took me right back to those passionate times when blank verse rang out from sawdust covered stages and the groundlings screeched their approval of bawdy lines.

I strolled through Dulwich Village which revealed itself to be studded with coffee shops, a church hall filling rapidly with adorable pink tutu-sporting toddlers off for their ballet lessons, one-of-a-kind boutiques and a few patisseries. It wasn’t long before I got back on the bus, delighted to have made the acquaintance of a rather lovely part of London that has largely remained undiscovered by the conventional tourist.

As the bus wound through Peckham High Street, I spied the Clark Factory Store and out I jumped, hoping to find some plantar fascittis-friendly sandals for the coming summer. And there they were –just the kind I wanted marked at one-third the price in the high street plus I got the second pair at one pound! Hey, you can’t beat a deal like that, so out I walked with a big bag and my summer footwear wardrobe in my hand. I might just make a trip there again next week to take a look at the newer stock as I had reached there at the very end of the day when the shelves were mostly empty and my size was almost impossible to find.

Back home, I made myself a very early plate of dinner (was starving as I had eaten no lunch) which I ate while watching TV for exactly 15 minutes and at 6. 40pm, I began transcribing the interview I did with Noel in Hounslow–an interview that had gone on for hours and would take at least three more to complete. In-between I chatted with Llew and made a few more calls. After the transcribing, the proof reading began and when I looked next at my watch, it was 11 pm!!! Just enough time to get ready for bed, read a bit of Potter and fall off (hopefully without having to count too many sheep).