Germany
Before the Fall of the Wall in 1989, Germany was composed of two different parts: East and West–separated by the Berlin Wall that divided the country and the City. I had visited Germany for the first time in 1987 but had only stayed in West Germnay. By 2009, when next I visited 22 years later, the country had been unified and I visited East Germany for the first time. I loved Berlin–an endlessly fascinating city that spanned many historical periods that was reflected in its varying architecture. Follow me on my walking tour of Berlin.
Bewitching Berlin
At Checkpoint Charlie which marked the line of division between East and West Berlin
Berlin, in the heart of a January winter, can be brutal. But layers of warm cashmere and sheepskin-lined Uggs allowed me to walk along the city’s sidewalks into the pages of history. All modern-day activity is concentrated around the Zoo, best reached by public bus Number 100 that offers, through its picture windows on the upper deck, a built-in tour of the city, for the price of a ride, no matter where you board it,. It trundles along the administrative quarter of the Reichstag, Berlin’s Parliament Building, the many museums of the Kulturforum and upscale showrooms offering retail therapy at Ku-damm (short for Kurfunstendamm).
But Berlin is best discovered on foot; so comfortable shoes are vital to an enjoyment of its offerings. It helps to remember that the city was once divided into two parts: East Berlin and West Berlin–by a Wall (the Fall of which we are celebrating today, twenty years after it momentously crumbled). Though history has rendered that divide merely a current curiosity, there is enough difference between the two parts easily discernible by even the laziest eye to suggest that a massive ideological difference once characterized the segregation.
But Berlin is best discovered on foot; so comfortable shoes are vital to an enjoyment of its offerings. It helps to remember that the city was once divided into two parts: East Berlin and West Berlin–by a Wall (the Fall of which we are celebrating today, twenty years after it momentously crumbled). Though history has rendered that divide merely a current curiosity, there is enough difference between the two parts easily discernible by even the laziest eye to suggest that a massive ideological difference once characterized the segregation.
Tuck a warm scarf around your neck, bury your gloved hands deep in the pockets of a winter coat and begin your jaunt at the oft-photographed Brandenburg Gate. Prepare to be jolted by your first sight of the city’s most easily recognizable landmark. Emerging from the Underground train on to Unter der Linden, one of the main arteries of the East (so-called because it is lined by linden or lime trees). Time permitting, stroll along this road that was built by the Prussian monarchs to lead directly to their city palace. You will, most likely see the Gate right ahead of you. Do not be surprised if you stifle a gasp. Seen in countless photographs and films, you will find it familiar yet foreign and as it suddenly loomed ahead of me, its presence was so startling that I experienced a reaction similar to the kind I had when first I saw the Taj Mahal and the Grand Canyon. It really did take my breath away!
The Brandenburg Gate was built by Karl Gotthard Langhans from 1788 to 1791 under a commission from King Frederick William II of Prussia. Twelve Doric columns support a Quadriga, a chariot drawn by four horses and Victoria, Roman goddess of Victory, sculpted by Johann Gottfried Schadow.Anyone who has been to Athens, will recognize it easily as being based on the Prophylaea, the entrance to the Acropolis in Athens. The Nazis used the gate as a party symbol. Though it suffered extensive damage during the bombing of World War II, its structure retained its integrity standing tall amidst the ruins of the Paritzer Platz which surrounds it.
As you take in the Neo-Classical lines of this landmark, let your eyes stray towards the Adlon Kempinski Hotel, one of the world’s most luxurious buildings that gained recent notoriety from the fact that the late Michael Jackson dangled his baby from a third floor balcony of this stately building only a few years ago. He wasn’t called Wacko Jacko for nothing!
Your next stop would be the Reischstag—the country’s Parliament Building, where the Bundestag, i.e. Parliament, meets. This 1894 structure hosted the German Parliament until 1933 when it was burned down. A recent restoration has returned it to its former glory and crowned it with a glass dome, the handiwork of British architect Sir Norman Foster. Those familiar with the collapsed glass pudding that is the City Hall building on London’s South Bank will see similarities in Foster’s style with Chinese-American architect I.M. Pei who also uses glass liberally in his creations (remember the Pyramid in the central square of the Louvre in Paris?). It is worth joining the queue to see Parliament in session as well as to climb the spiral walkway to the very top of the Dome that offers multiple reflections in its mirrored walls as well as lovely views of the City astride both banks of the River Spree.
Make a right, and go past the Brandenburg Gate to arrive at the general area known as Hitler’s Bunker. Most visitors remain excited about this spot imagining that there still exists a secret passageway leading to the underground headquarters in which the Fuhrer remained holed up with Eva Braun as the war came to a suicidal end (in much the same way that the Underground Cabinet War Rooms and Churchill Museum in London are open to visitors). Do not be disappointed to discover that the bunker was completely destroyed by the Soviets after they seized control of the city at the war’s end. This was deliberately done to prevent Hitler’s grave from becoming a pilgrimage site for the world’s Neo-Nazis. Today, nothing but soil stands over the warren of rooms once occupied by the most powerful SS officers. They are surrounded by the kind of solid, squat, grey, institutional residential buildings that characterize all Communist countries. Residents of these building today use the land under which the bunker once lay to walk their dogs who defecate all over the premises—what some would consider a fitting fate for the architects of the hated Regime.
A few feet ahead is the Holocaust Memorial. You will be struck by the stark simplicity of the area that is composed of hundreds of granite blocks of varying height shooting upwards to form a uniform grid comprising narrow lanes. You realize, soon enough, that this concrete maze, can be terrifying. Every side you turn, more monotonous concrete blocks entrap. Finding the steps that lead underground is a palpable relief. This museum, a serene darkened space, details the losses suffered by six European Jewish families during the insanity of the Holocaust. This is a good first stop for anyone contemplating a visit to the Sachsenhausen Concentration Camp which lies just a few miles outside Berlin. Though not as well known as the ones at Auschwitz or Dachau, it was no less sinister as the ruthlessness of Nazi machinery rounded up Jews and other unwanted members of European society, herded them off to face forced labor under atrocious conditions and eventually gassed them to death. To see this chapter of history presented so vividly through photographs, diary jottings and postcards in this museum is so heart breaking that you might find yourself suppressing tears.
Not too far away is a huge grey granite building on the intersection of two of East Berlin’s busiest roads—Wilhelmstrasse and Fredreichstrasse. This building has the appearance of the kind you see in Nazi movies such as the recent Valkyrie that was shot on location there—dour, forbidding, depressing. This is the only one of the old Nazi buildings that the Soviets did not destroy after they took control of Berlin. It used to be the Ministry of Ministries under the SS but today is the Ministry of Finance and Taxation—just as frightful, some would say!
At the intersection of the street on which this scary building ends are the remains of the Berlin Wall that once encircled the city and separated the GDR (German Democratic Republic, the West) from the DDR (the Communist East). Tourists pause here today to take pictures and stand astride it, one foot in East Berlin, the other in the West. Built after the takeover of the city by the Communists who wished to deter escapees from moving surreptitiously from the East to the West, it encircled the city and became a somber symbol of the suppression of freedom. The Wall today is a grey granite structure devoid of graffiti and enclosed by a fence as tourists still attempt to break pieces of it to sell on E-Bay!
Checkpoint Charlie is just around the corner from this remnant of the wall. This was the code name for the Border Crossing between East and West Germany. The name is derived from the Code used in the NATO phonetic alphabet at the time—A for Alpha, the check-point at Helmstedt, B for Bravo at Dreilinden and C for Charlie in Berlin. It refers to a nondescript white shed manned by Allied guards during the Cold War. To leave this last checkpoint in the American sector behind was to enter into the Communist Bloc in East Berlin, a place as different before the Fall of the Wall as Heaven from Hell– which explains why so many hundreds of East Berliners risked death attempting to cross it! Their experiences are well documented in the Checkpoint Charlie Museum set up a mere block away. Just next door is a Soviet Museum that carries the last Soviet flag flown on the Russian side before the Wall collapsed in November 1989. The atmosphere in this part of Berlin, even today, 65 years after the war ended, is grim, and though tourists pose for pictures, there is a reverential silence that engulfs the area.
Though your appetite might have suffered by this mental bombardment, it would make sense to stop at this point for apfel streudel and hot chocolate. Traffic flows peacefully today in the many broad streets and avenues and there is little to suggest that life was once so fraught with emotional hardships for families split on both sides of the divide.
Though your appetite might have suffered by this mental bombardment, it would make sense to stop at this point for apfel streudel and hot chocolate. Traffic flows peacefully today in the many broad streets and avenues and there is little to suggest that life was once so fraught with emotional hardships for families split on both sides of the divide.
Eighteenth Century Berlin:
While a walking tour of 20th century Berlin can leave the visitor rather respondent, the city offers other far more mood-uplifting quarters, many of which were built in the 18th century. It is helpful to keep in mind as you cover the erstwhile royal portions of the city that most Prussian kings were called Fredriech or Wilhelm and when their parents were being particularly creative, they were named Fredreich Wilhem!
While a walking tour of 20th century Berlin can leave the visitor rather respondent, the city offers other far more mood-uplifting quarters, many of which were built in the 18th century. It is helpful to keep in mind as you cover the erstwhile royal portions of the city that most Prussian kings were called Fredriech or Wilhelm and when their parents were being particularly creative, they were named Fredreich Wilhem!
The Gendarmenmarkt (literally, in French, the Policeman’s Market), a good place to begin such an exploration, is dominated by three stunningly beautiful buildings—the Concert Hall, the Hugenot Memorial Museum and a Protestant Cathedral. In the center of one of the grandest and prettiest squares in Europe, German playwright Schiller contemplates the vagaries of history from his marble pedestal while surrounded by the Muses.
One block away, your route will wind towards Unter der Linden and on to Bebelplatz which is also dominated by the colossal dome of a church—the Catholic Cathedral of St. Helwig decorated with striking sculpture in bas relief on its main pediment. This space overlooks the campus of Humboldt University whose alumni list reads like a Who’s Who of German intelligentsia from Albert Einstein and Franz Kafka to Sigmund Freud and Bismarck, Karl Marx and Fredreich Engels! In fact, in the early-19th century, a book burning ritual was carried out by a dictatorial regime that led alumnus Heinrich Heinne to write in the 1820s that once a society starts to burn books, it will not be long before it burns people. Strangely prophetic, considering what the Nazis did a century later. Because the university is allegedly ashamed of its role in the book burning scandal, today books are sold by the main gate, the proceeds going to charity.
If you make a left out of the University gates, and head further along Unter der Linden, you arrive at Museum Island, location of the Lustgarten with the Altes Museum, a splendid Neo-Classical structure that houses Greek and Roman Antiquities and is considered one of the finest such buildings in Europe. Its most treasured item is a bust of Egyptian Queen Nefertiti, a study in haughtiness.
If you make a left out of the University gates, and head further along Unter der Linden, you arrive at Museum Island, location of the Lustgarten with the Altes Museum, a splendid Neo-Classical structure that houses Greek and Roman Antiquities and is considered one of the finest such buildings in Europe. Its most treasured item is a bust of Egyptian Queen Nefertiti, a study in haughtiness.
Just past the Altes Museum, you will cross the ornate bridge over the River Spree and stop short at the sight of the superb Berliner Dom or main Cathedral which is reminiscent of London’s St. Paul’s Cathedral and for good reason—the Kaiser wanted a cathedral similar to St. Paul’s, only more ornate–and so the architect gave him his heart’s desire piling on every possible sort of exterior ornamentation that money could buy! Inside, the Berliner Dom is an epic to Baroque excess. Marvelous stained glass windows, marble Corinthian columns, carved apostles surrounding an ornate altar, lavish gilding, a magnificent brass organ with an intricately carved case and the grand sarcogphagi of Freidreich I and his wife make this one of the most staggering ecclesiastical spaces in the city.
Of the many beautiful churches that dot the capital—from the Baroque to the Modernist—there are two that most visitors choose to see: First, the Kaiser Wilhelm Gestadtkirsche whose profile with its bombed steeple is striking even from a distance. Because it is so intriguing, it warrants investigation.
Visitors enter the Memorial Hall that used to be the main entrance to the original church that has stood on this site since 1904 when it was inaugurated by the Kaiser. During World War II, it was bombed to smithereens though its tower remained, a ghastly reminder of happier times. The church, however, boasted some unimaginably intricate mosaics in the Byzantine style, many of which miraculously survived the bombing. When the war ended and the reconstruction of Germany began, it was decided that the tower should be retained though the rest of the ruins were demolished. The surviving mosaics were carefully moved and relocated to the main tower together with several others that had originally stood there. Today, these mosaics are the main attraction of the tower that has been converted into a Memorial Hall. A newer, far more modern church (that some think resembles a compactor!), was fashioned out of thousands of pieces of sapphire blue glass that glow as the sunlight streams through them. It makes for a quiet place of contemplation.
Of the many beautiful churches that dot the capital—from the Baroque to the Modernist—there are two that most visitors choose to see: First, the Kaiser Wilhelm Gestadtkirsche whose profile with its bombed steeple is striking even from a distance. Because it is so intriguing, it warrants investigation.
Visitors enter the Memorial Hall that used to be the main entrance to the original church that has stood on this site since 1904 when it was inaugurated by the Kaiser. During World War II, it was bombed to smithereens though its tower remained, a ghastly reminder of happier times. The church, however, boasted some unimaginably intricate mosaics in the Byzantine style, many of which miraculously survived the bombing. When the war ended and the reconstruction of Germany began, it was decided that the tower should be retained though the rest of the ruins were demolished. The surviving mosaics were carefully moved and relocated to the main tower together with several others that had originally stood there. Today, these mosaics are the main attraction of the tower that has been converted into a Memorial Hall. A newer, far more modern church (that some think resembles a compactor!), was fashioned out of thousands of pieces of sapphire blue glass that glow as the sunlight streams through them. It makes for a quiet place of contemplation.
The other church, also frequently visited is Marienkirsche, a Gothic Church with an ancient fresco that wraps itself around the entrance walls. This, however, is so faint that it is barely discernible. Inside the church, the stained glass windows on the altar are striking as are some very old sculpted effigies. The steeple of this church seems to reach out for the skies, competing, as it were, with the Berlin Telecom Tower whose spire also seems to scoop up the clouds.
Art Lover’s Berlin:
No first time visitor can leave Berlin without being struck by its wealth of art and architectural artifacts. To see all the museums of Berlin one would need a month and to appreciate them from the outside would require another! Each building is stunning and forms a very fitting receptacle for the collection that lies concealed within.
Two museums that one would be loathe to leave out are The Gemaldegalerie at the Kulturforum and the Pergammon Museum. The Kulturforum is a part of Berlin in which the arts and culture are omnipresent through the Philharmonic Building, the National Library and, of course, the Museum of Fine Arts, the Gemaldegalerie.
Berlin boasts so heavenly a collection of paintings as to make art-lover feels as if they have reached the Gates of Paradise. The Nazis were huge supporters of culture and patronized their artists enthusiastically. Hence, they amassed a vast treasure trove of fine art by the Old Masters. When the War ended, this collection was divided between East and West Germany, its reunification becoming possible only by the Fall of the Wall. The new Gemaldegalerie, created to house this treasure, is a Modernist space custom designed and built specifically for the purpose—and it is truly one of the finest museum buildings to be seen. It boasts an interesting layout, and paintings hung against light-absorbing walls so that daylight makes only a subdued presence felt on the canvases that suffer no artificial light upon their surfaces at all.
No first time visitor can leave Berlin without being struck by its wealth of art and architectural artifacts. To see all the museums of Berlin one would need a month and to appreciate them from the outside would require another! Each building is stunning and forms a very fitting receptacle for the collection that lies concealed within.
Two museums that one would be loathe to leave out are The Gemaldegalerie at the Kulturforum and the Pergammon Museum. The Kulturforum is a part of Berlin in which the arts and culture are omnipresent through the Philharmonic Building, the National Library and, of course, the Museum of Fine Arts, the Gemaldegalerie.
Berlin boasts so heavenly a collection of paintings as to make art-lover feels as if they have reached the Gates of Paradise. The Nazis were huge supporters of culture and patronized their artists enthusiastically. Hence, they amassed a vast treasure trove of fine art by the Old Masters. When the War ended, this collection was divided between East and West Germany, its reunification becoming possible only by the Fall of the Wall. The new Gemaldegalerie, created to house this treasure, is a Modernist space custom designed and built specifically for the purpose—and it is truly one of the finest museum buildings to be seen. It boasts an interesting layout, and paintings hung against light-absorbing walls so that daylight makes only a subdued presence felt on the canvases that suffer no artificial light upon their surfaces at all.
As for the collection? Well, most visitors give themselves two to three hours to see the Highlights (the museum has a fine handout highlighting 20 items) but one can easily spend the entire day here. The clutch of Botticellis is astounding, there is a fine array of Rembrandts, some really superb works from the Dutch and Flemish Schools, a totally wacky Pieter Breughel canvas entitled A Hundred Proverbs and easily the most striking one of all–Caravaggio’s Cupid Victorius. In fact, Cupid’s playfulness, indeed his impishness—as caught by his pose and his expression—are so entrancing that it is hard to tear oneself away from this work. And a Vermeer entitled A Glass of Wine is also so memorable that it brings to mind the novel Girl with a Pearl Ear Ring by Tracy Chevalier. Sustenance may be found in the Museum Café that allows visitors to sample a variety of delicious German salads as well as hearty main meals.
The Pergammonmuseum:
If the Gemaldegalerie presents high quality fine art, probably the piece de resistance among Berlin’s museums is the Pergammonmuseum, located on what is called Museum Island. Audio Guides in English provide a very comprehensive commentary on the Museum’s Highlights.
The very first ‘room’ in the Pergammon is breathtaking. As soon as you walk in, you find yourself standing right in front of the altar from the Greek Temple at Pergammon in modern-day Turkey—it is from this Temple that the Museum gets its name. Now, though the history of the museum is long and fascinating, suffice it to note that in the early part of the 19th century, German archeologists were exceptionally active in sites all over the Middle East. A great deal of their excavations and discoveries led to the uncovering of ancient civilizations whose mementoes would have been lost to the world. As a reward for their endeavors, they were permitted to bring these ‘structures’ to Germany where these specially constructed museums served to house them safe from the destruction that could be wrought by the elements.
If the Gemaldegalerie presents high quality fine art, probably the piece de resistance among Berlin’s museums is the Pergammonmuseum, located on what is called Museum Island. Audio Guides in English provide a very comprehensive commentary on the Museum’s Highlights.The very first ‘room’ in the Pergammon is breathtaking. As soon as you walk in, you find yourself standing right in front of the altar from the Greek Temple at Pergammon in modern-day Turkey—it is from this Temple that the Museum gets its name. Now, though the history of the museum is long and fascinating, suffice it to note that in the early part of the 19th century, German archeologists were exceptionally active in sites all over the Middle East. A great deal of their excavations and discoveries led to the uncovering of ancient civilizations whose mementoes would have been lost to the world. As a reward for their endeavors, they were permitted to bring these ‘structures’ to Germany where these specially constructed museums served to house them safe from the destruction that could be wrought by the elements.
The Pergammon Altar has sculpture that is in a far better state of preservation than the Elgin Marbles in the British Museum (although those are far more famous—perhaps because they are so controversial!). Apart from the marble altar which is intact and which the visitor can actually ascend (a truly unique experience), colossal friezes from the Pergammon Temple decorate the walls. The heights of the altar make a superb vantage point from which to contemplate the wealth of ancient mythological sculpture that encompasses you. This is so magical, that it is worth going to Berlin only to be swaddled by this spectacle.
The Temple of Athena in the next room is just as dazzling. What is mind blowing is the sheer size of these works and the scale of the rooms that allow these towering temples, columns and altars to be accommodated indoors! And I hadn’t yet arrived at the Ishtar Gate! Next door to the Athena Temple are the Gates of Miletus, colossal Classical columns holding a decorative gateway that once existed at the entrance to the Market in Miletus in Asia Minor. Though badly damaged and undergoing restoration, these gates are truly splendid. Here, too, visitors walk right through the gates, feeling as if they have actually arrived in these ancient worlds.
And then you reach the most impressive exhibit of all—the Babylonian Ishtar Gates. These stunning gates composed almost entirely of sapphire ceramic glazed bricks were built during the reign of Babylonian king Nebuchadnezzar (604-542 BC). To reach them, one needed to pass through what was known as the ‘Processional Way’—originally 590 feet long. In the Pergammon, the Inner Gates and a large part of the Processional Way allow the viewer to marvel at the quality of the artistry that went into the design and construction of so exquisite a work. Although many of the upper parts of the structure have been restored (it is very easy to see where the original tiles end and the modern ones begin), the animals that adorn the walls (horses, ibex, and lions—loads of lions) are original. These are not merely embedded into the walls but jut out like bas relief—all of which makes them not just impossible to describe but impossible to stop raving over.
Other more significant parts of the Pergammon’s collection are the Façade of the Mshatta Palace which once stood in Jordan—the parts in the museum once concealed the entrance to a palace and a small mosque. The Allepo Zimmer, a spectacular paneled room that came from a merchant’s home in the Syrian city of Aleppo, is also fascinating. Apart from its obvious treasures, one of the most exquisite objects in this collection is a Roman Sarcophagus of the 2nd century AD upon which is carved the entire chilling story of Medea—truly Hell hath no fury like a woman scorned!
The Temple of Athena in the next room is just as dazzling. What is mind blowing is the sheer size of these works and the scale of the rooms that allow these towering temples, columns and altars to be accommodated indoors! And I hadn’t yet arrived at the Ishtar Gate! Next door to the Athena Temple are the Gates of Miletus, colossal Classical columns holding a decorative gateway that once existed at the entrance to the Market in Miletus in Asia Minor. Though badly damaged and undergoing restoration, these gates are truly splendid. Here, too, visitors walk right through the gates, feeling as if they have actually arrived in these ancient worlds.
And then you reach the most impressive exhibit of all—the Babylonian Ishtar Gates. These stunning gates composed almost entirely of sapphire ceramic glazed bricks were built during the reign of Babylonian king Nebuchadnezzar (604-542 BC). To reach them, one needed to pass through what was known as the ‘Processional Way’—originally 590 feet long. In the Pergammon, the Inner Gates and a large part of the Processional Way allow the viewer to marvel at the quality of the artistry that went into the design and construction of so exquisite a work. Although many of the upper parts of the structure have been restored (it is very easy to see where the original tiles end and the modern ones begin), the animals that adorn the walls (horses, ibex, and lions—loads of lions) are original. These are not merely embedded into the walls but jut out like bas relief—all of which makes them not just impossible to describe but impossible to stop raving over.
Other more significant parts of the Pergammon’s collection are the Façade of the Mshatta Palace which once stood in Jordan—the parts in the museum once concealed the entrance to a palace and a small mosque. The Allepo Zimmer, a spectacular paneled room that came from a merchant’s home in the Syrian city of Aleppo, is also fascinating. Apart from its obvious treasures, one of the most exquisite objects in this collection is a Roman Sarcophagus of the 2nd century AD upon which is carved the entire chilling story of Medea—truly Hell hath no fury like a woman scorned!
The second floor of the Pergammon building stocks treasures of the Islamic world (including a few fascinating Moghul works), but easily the most striking is the glazed ceramic tiled Mihrab from a mosque in Kashan (in modern-day Iran) built in 1226. The quality of the glaze is so superior that the gates glitter as if covered in gold—again, impossible to describe!
Jewish Berlin:
Though it is located rather remotely compared to most of the city’s other attractions, no trip to Berlin would be complete without a visit to the Jewish Historic Museum. This quite recent addition to the city skyline is the design of American Jewish architect Daniel Libeskind who has created a structure inspired by the Star of David turned inside-out. To call it sheer genius would be an understatement. It is so superbly conceived and so amazingly implemented that I marveled at Libeskind’s vision with each step I took further and further into the maze-like building.
In the basement is the Holocaust Tower—a structure which represents various things to various people. It is a tall column that you enter underground. You will find yourself in an unlit and unheated space (and believe me, the contrast in temperatures is striking at any time of year). The only light is natural—coming from a small slit in the walls. It represents the imprisonment of the prisoners in the various concentration camps around Europe and their surmounting hopelessness.
I then stepped into the Garden of Exile, a series of granite columns with olive trees growing at the top—olives, of course, symbolizing the Promised Land. Taking the elevator to the top floor, I got off in the Medieval section which details the persecutions that Jews encountered throughout history.
Though it is located rather remotely compared to most of the city’s other attractions, no trip to Berlin would be complete without a visit to the Jewish Historic Museum. This quite recent addition to the city skyline is the design of American Jewish architect Daniel Libeskind who has created a structure inspired by the Star of David turned inside-out. To call it sheer genius would be an understatement. It is so superbly conceived and so amazingly implemented that I marveled at Libeskind’s vision with each step I took further and further into the maze-like building.
In the basement is the Holocaust Tower—a structure which represents various things to various people. It is a tall column that you enter underground. You will find yourself in an unlit and unheated space (and believe me, the contrast in temperatures is striking at any time of year). The only light is natural—coming from a small slit in the walls. It represents the imprisonment of the prisoners in the various concentration camps around Europe and their surmounting hopelessness.
I then stepped into the Garden of Exile, a series of granite columns with olive trees growing at the top—olives, of course, symbolizing the Promised Land. Taking the elevator to the top floor, I got off in the Medieval section which details the persecutions that Jews encountered throughout history.
Gourmet Berlin:
In a capital city that, like others in Europe, is fast becoming internationalized, it is good to know that foodies can still find treats that are essentially indigenous. KaDeWe (short for Kaufhaus des Westens), the magnificent Art Deco mansion to Mamon built in 1907 by Berlin merchant Adolf Jandorf is a must-eat venue. It’s Gourmet Floor rivals that of London’s Harrods boasting 3,400 wines and 1,300 kinds of cheese alone. If you are a connoisseur of all things edible, you cannot possibly be disappointed for it is not only the taste of the items you will purchase but their presentation that will have you composing symphonies to your taste buds.
In a capital city that, like others in Europe, is fast becoming internationalized, it is good to know that foodies can still find treats that are essentially indigenous. KaDeWe (short for Kaufhaus des Westens), the magnificent Art Deco mansion to Mamon built in 1907 by Berlin merchant Adolf Jandorf is a must-eat venue. It’s Gourmet Floor rivals that of London’s Harrods boasting 3,400 wines and 1,300 kinds of cheese alone. If you are a connoisseur of all things edible, you cannot possibly be disappointed for it is not only the taste of the items you will purchase but their presentation that will have you composing symphonies to your taste buds.
Berlin also has a selection of restaurants to suit every pocket and palate but you would be well advised to try some national specialties such as wild boar casserole with knoddel (potato casserole) and veal roast with spaztel (a German thick pasta, somewhat similar to gnocchi). German potato salad is world renowned and the country makes wurst (sausages) with the same attention to detail that France makes cheese or Belgium makes chocolate.
As for Chocoholics, nirvana is promised at Fassbender and Rausch near the Gendarmenmarkt. This upscale chocolatier has picture windows that display chocolate replicas of the Brandenburg Gate, the Kaiser Wilheim Gedatschkirsch and, somewhat inexplicably, the Titanic! When you have admired the craftsmanship that has created these confections, you can agonize for hours as you gaze at a selection of choicest treats from individually molded pralines and hand-rolled truffles to take home in a signature box. Then climb a floor higher to the restaurant, settle by a window that overlooks the imposing dome of the Cathedral and order a Black Forest Chocolate pastry (I love the name in German—Schwartzwalden Torte!) Cherries, soaked in kirsche (cherry liqueur) are frozen into the sponge. They thaw into minscule shots with each chocolately bite! Heavenly!
Berlin, will no doubt, have awed and moved you in turn as you rambled through its centuries of changing fortunes. Fight the plummeting temperature in such a spot as you soak it all in. Get your hands out of those coat pockets and let your frigid fingers curl around a cup of dark hot chocolate laced with Ecuadorian chilli as you contemplate the fact that you became a part of its checkered history, if only for a few wintry days one January!
As for Chocoholics, nirvana is promised at Fassbender and Rausch near the Gendarmenmarkt. This upscale chocolatier has picture windows that display chocolate replicas of the Brandenburg Gate, the Kaiser Wilheim Gedatschkirsch and, somewhat inexplicably, the Titanic! When you have admired the craftsmanship that has created these confections, you can agonize for hours as you gaze at a selection of choicest treats from individually molded pralines and hand-rolled truffles to take home in a signature box. Then climb a floor higher to the restaurant, settle by a window that overlooks the imposing dome of the Cathedral and order a Black Forest Chocolate pastry (I love the name in German—Schwartzwalden Torte!) Cherries, soaked in kirsche (cherry liqueur) are frozen into the sponge. They thaw into minscule shots with each chocolately bite! Heavenly!
Berlin, will no doubt, have awed and moved you in turn as you rambled through its centuries of changing fortunes. Fight the plummeting temperature in such a spot as you soak it all in. Get your hands out of those coat pockets and let your frigid fingers curl around a cup of dark hot chocolate laced with Ecuadorian chilli as you contemplate the fact that you became a part of its checkered history, if only for a few wintry days one January!
